Sweetwater

City's

Farah Al Qasimi, Monika Baer, Christa Dichgans, HC, Gaby Sahhar, Ari Sariannidis, Hanna Stiegeler, Matilda Tjäder & Ewa Awe

July 10, 2021 to August 14, 2021

Leipziger Straße 56-58, Berlin, Germany

Exhibition Text

An excerpt from the script of Matilda Tjäder & Ewa Awe’s City’s:

...and then I woke up, to the same darkness, with marks on my palms, from my clenching fists and my nails’ imprints. It was like a pattern, of an eye or something. I looked into it and out of my palm a round sphere arose. It looked like a commercial center of some kind. A mall perhaps. There was an entrance. Above it a sign, it read:

City’s

“Let’s move into a mall!”

“Big cities are targets because people admire them. Like a magnet to gravitate towards. For interaction. It’s a push and pull that embodies those who inhabit it.”

“Find a pulse through these nodes, with your headphones on the speed becomes levelled and your own breath is concealed by the city’s bass.”

“The city becomes your real-time music video, a one-liner and a million contradicting feelings at once. We all have a psychotic relationship to the cities we live in.”

“Therefore City’s was built. To encompass conflict. Like the eye of the storm. Outside of it there was chaos. But within City’s there was a degree of tranquility, an aspect of perfection, a fairy tale with absent protagonists, just environment, paint-brushed furniture, double exposure so that all surfaces became two, at least, like, a looking glass – a cubicle in someone’s hand, just spin it between your fingers.”

“There’s this old saying, that once you’ve reached City’s there’s no need to return back. She’s like a thinking machine, programmed to please your needs, she’s like a custom made divination, serving you all your prophecies in paper-wrapped lies.” “The question would be: do we do our hair or nails first?”

“My back hurts. My neck has been hurting a lot.”

“Something also happened to time. Thousands of unfinished and ragged thoughts started swirling around. Words and images were pouring out of them like grains of sand but as soon as I wanted to hold on to one, it was already too late. It was taking so long to make sense of it all. An hour or more had passed and I was still trying to locate my phone to order an Uber and make it home but it was an impossible mission.”

“City’s is all eyes and ears, but it’s pleasant. Nothing escapes and everything gets fixed instantly. Reversed into its natural order by the return of dawn.”

Installation Views
Media © Sweetwater 2025
Media © Sweetwater 2025
Media © Sweetwater 2025
Media © Sweetwater 2025
Media © Sweetwater 2025
Media © Sweetwater 2025
Ari Sariannidis
Media © Sweetwater 2025
Media © Sweetwater 2025
Media © Sweetwater 2025
Media © Sweetwater 2025
Media © Sweetwater 2025
Artworks
Farah Al Qasimi
Matilda Tjäder & Ewa Awe
Hanna Stiegeler
Hanna Stiegeler
Gaby Sahhar
Gaby Sahhar
Gaby Sahhar
Gaby Sahhar
HC
HC
Christa Dichgans
Christa Dichgans
Monika Baer
Ari Sariannidis

City's

Farah Al Qasimi, Monika Baer, Christa Dichgans, HC, Gaby Sahhar, Ari Sariannidis, Hanna Stiegeler, Matilda Tjäder & Ewa Awe

July 10, 2021 to August 14, 2021

Leipziger Straße 56-58, Berlin, Germany

Farah Al Qasimi

Farah Al Qasimi

Dragon Mart Curtain Shop, 2019

Vinyl wall application

variable dimensions

Edition of 2 plus 1 artist's proof

Matilda Tjäder & Ewa Awe

Matilda Tjäder & Ewa Awe

City's, 2021

Sound

8 minutes, 40 seconds

Media © Sweetwater 2025
Detail

Matilda Tjäder & Ewa Awe

City's, 2021

Sound

8 minutes, 40 seconds

Hanna Stiegeler

Hanna Stiegeler

Gel (I), 2021

Gouache and pigment screenprint on paper

106.6 × 146.6 cm

42 × 57 ¾ in

Hanna Stiegeler

Hanna Stiegeler

Depression, 2021

Gouache and pigment screenprint on paper

106.6 × 146.6 cm

42 × 57 ¾ in

Gaby Sahhar

Gaby Sahhar

Ties that Bind, 2019

Graphite and ink on paper

31.8 × 24.1 cm

12 ½ × 9 ½ in

Gaby Sahhar

Gaby Sahhar

Ties that bind , 2019

Graphite and ink on paper

24.1 × 31.8 cm

9 ½ × 12 ½ in

Gaby Sahhar

Gaby Sahhar

Ties that bind, 2019

Graphite and ink on paper

24.1 × 31.8 cm

9 ½ × 12 ½ in

Gaby Sahhar

Gaby Sahhar

Ties that bind, 2019

Graphite and ink on paper

31.8 × 24.1 cm

12 ½ × 9 ½ in

HC

HC

Es fällt ein Ei zum Himmel, 2021

Two model buildings

Installation dimensions variable

Media © Sweetwater 2025
Detail

HC

Es fällt ein Ei zum Himmel, 2021

Two model buildings

Installation dimensions variable

Media © Sweetwater 2025
Detail

HC

Es fällt ein Ei zum Himmel, 2021

Two model buildings

Installation dimensions variable

HC

HC

Es fällt ein Ei zum Himmel, 2021

Four model buildings

Installation dimensions variable

Media © Sweetwater 2025
Detail

HC

Es fällt ein Ei zum Himmel, 2021

Four model buildings

Installation dimensions variable

Christa Dichgans

Christa Dichgans

Geld in Bewegung (2), 2011

Oil and collage on canvas

70 × 80 cm

27 ½ × 31 ½ in

Christa Dichgans

Christa Dichgans

Geld in Bewegung (7), 2011

Oil and collage on canvas

75 × 100 cm

29 ½ × 39 ⅜ in

Monika Baer

Monika Baer

loose change 2, 2021

Watercolor, coin and saw blade segment on paper

63.5 × 53 cm

25 × 20 ⅞ in

Ari Sariannidis

Ari Sariannidis

Untitled, 2021

Installation dimensions variable

City's

Farah Al Qasimi, Monika Baer, Christa Dichgans, HC, Gaby Sahhar, Ari Sariannidis, Hanna Stiegeler, Matilda Tjäder & Ewa Awe

July 10, 2021 to August 14, 2021

Leipziger Straße 56-58, Berlin, Germany

Media © Sweetwater 2025
Media © Sweetwater 2025

HC

Es fällt ein Ei zum Himmel, 2021

Two model buildings

Installation dimensions variable

Media © Sweetwater 2025

HC

Es fällt ein Ei zum Himmel, 2021

Four model buildings

Installation dimensions variable

Media © Sweetwater 2025
Media © Sweetwater 2025

Hanna Stiegeler

Depression, 2021

Gouache and pigment screenprint on paper

106.6 × 146.6 cm

42 × 57 ¾ in

Hanna Stiegeler

Gel (I), 2021

Gouache and pigment screenprint on paper

106.6 × 146.6 cm

42 × 57 ¾ in

Matilda Tjäder & Ewa Awe

City's, 2021

Sound

8 minutes, 40 seconds

Media © Sweetwater 2025

Farah Al Qasimi

Dragon Mart Curtain Shop, 2019

Vinyl wall application

variable dimensions

Edition of 2 plus 1 artist's proof

Monika Baer

loose change 2, 2021

Watercolor, coin and saw blade segment on paper

63.5 × 53 cm

25 × 20 ⅞ in

Ari Sariannidis

Ari Sariannidis

Untitled, 2021

Installation dimensions variable

Media © Sweetwater 2025
Media © Sweetwater 2025
Media © Sweetwater 2025

Christa Dichgans

Geld in Bewegung (7), 2011

Oil and collage on canvas

75 × 100 cm

29 ½ × 39 ⅜ in

Christa Dichgans

Geld in Bewegung (2), 2011

Oil and collage on canvas

70 × 80 cm

27 ½ × 31 ½ in

Gaby Sahhar

Ties that bind, 2019

Graphite and ink on paper

31.8 × 24.1 cm

12 ½ × 9 ½ in

Gaby Sahhar

Ties that bind , 2019

Graphite and ink on paper

24.1 × 31.8 cm

9 ½ × 12 ½ in

Gaby Sahhar

Ties that bind, 2019

Graphite and ink on paper

24.1 × 31.8 cm

9 ½ × 12 ½ in

Media © Sweetwater 2025

Christa Dichgans

Geld in Bewegung (7), 2011

Oil and collage on canvas

75 × 100 cm

29 ½ × 39 ⅜ in

Gaby Sahhar

Ties that bind , 2019

Graphite and ink on paper

24.1 × 31.8 cm

9 ½ × 12 ½ in

Gaby Sahhar

Ties that bind, 2019

Graphite and ink on paper

24.1 × 31.8 cm

9 ½ × 12 ½ in

Gaby Sahhar

Ties that Bind, 2019

Graphite and ink on paper

31.8 × 24.1 cm

12 ½ × 9 ½ in

Media © Sweetwater 2025
Artist Biographies

Farah Al Qasimi (*1991, United Arab Emirates) lives and works in New York and Dubai.

Credits
Documentation by Diana Pfammatter. Artwork by Monika Baer courtesy of the artist and Trautwein Herleth, Berlin. Artworks by Christina Dichgans courtesy of the estate and Contemporary Fine Arts, Berlin.