On View

Marina Grize

Divine icons roam as lens

March 5, 2026 to April 18, 2026

Leipziger Straße 56-58, Berlin, Germany

D'Ette Nogle

Let It R.I.P.

Solo Exhibition

March 21, 2026 to May 31, 2026

Kunstverein Braunschweig, Braunschweig, Germany

Exhibitions Elsewhere

Kayode Ojo

The Happiness Project, Episode 3: Hearth and Home

Group Exhibition

April 17, 2026 to July 24, 2026

Galleria ZERO..., Milan, Italy

Luzie Meyer

Strukturen: Prelude

Screening

April 10, 2026

Stretcher, Basel, Switzerland

Marina Grize

Hard to Imagine

Group Exhibition

April 1, 2026 to May 2, 2026

Margot Samel, New York, NY, United States

D'Ette Nogle

Let It R.I.P.

Solo Exhibition

March 21, 2026 to May 31, 2026

Kunstverein Braunschweig, Braunschweig, Germany

Kayode Ojo

Infinitesimal Time, Monumental Matter: Scales of Existence

Group Exhibition

March 20, 2026 to May 9, 2026

M+M Gallery, Hong Kong

Constantin Thun

Solo Exhibition

March 12, 2026 to May 16, 2026

The Modern Institute, Glasgow, United Kingdom

Megan Plunkett

Group Exhibition

March 7, 2026 to April 25, 2026

Barbati Gallery, Venice, Italy

Alexandre Khondji

A Certain Distance

Group Exhibition

March 7, 2026 to June 7, 2026

Café des Glaces, Tonnerre, France

Megan Plunkett

Welcome In

Solo Exhibition

March 7, 2026 to May 9, 2026

Emalin, London, United Kingdom

Megan Plunkett

Here/Now

Group Exhibition

February 1, 2026 to May 10, 2026

Plataforma, Guadalajara, Mexico

Kayode Ojo

Long Story Short

Group Exhibition

October 23, 2025 to January 31, 2027

Museum Brandhorst, Munich, Germany

Artworks

Christopher Aque

Lilac (Hibernal), 2025

UV-C exposed gum bichromate print on paper in acrylic and linen frame

32 ⅛ × 25 ¼ × 1 ¾ in

81.5 × 64 × 4.5 cm

Edition of 2 plus 1 artist's proof

Gaby Sahhar

Chipped Nail Polish, 2019

HD video

2 minutes, 30 seconds

Luzie Meyer

The right to an answer, 2022

Pinhole camera photograph in artist's frame

22 ⅛ × 18 ⅞ in

56 × 48 cm

Christopher Aque

Rhododendron (Hibernal), 2025

UV-C exposed gum bichromate print on paper in acrylic and linen frame

25 ¼ × 25 ¼ × 1 ¾ in

64 × 64 × 4.5 cm

Edition of 2 plus 1 artist's proof

Luzie Meyer

It is true, we shall be monsters, cut off from all the world; but on that account we shall be more attached to one another., 2019

C-print in artist's frame

12 ¾ × 14 ¾ × 1 ¾ in

32.5 × 37.5 × 4.5 cm

Kayode Ojo

Overdressed (Silver), 2019

Rachel Zoe Metallic-Fringe Sheath Dress, New Look Fluffy Faux Fur Collarless Jacket - Light gray / L, Crystal Chandelier Teardrop Prisms 50mm, Crystal Beads Clear Chandelier Bead Lamp Chain, Hamilton Stands KB400 Classic American Folding Sheet Music Stand (Chrome), K’ryssma Grey Lace Front Wigs for Women - Glueless Long Natural Straight T4503 Silver Gray Synthetic Wig Heat Resistant Replacement Full Wig (22 inch)

19 ¾ × 17 ¾ × 59 ⅛ in

50 × 45 × 150 cm

Constantin Thun

Intuition,, no date

Pine

55 ¼ × 21 ¼ × 2 in

140.5 × 54 × 5 cm

Friedemann Heckel

Untitled (Instagram Aquarell #32), 2019

Watercolor on paper

13 ⅝ × 10 ⅜ in

34.5 × 26.5 cm

Friedemann Heckel

Untitled (Instagram Aquarell #14), 2019

Watercolor on paper

13 ⅝ × 10 ⅜ in

34.5 × 26.5 cm

Megan Plunkett

Moon Money (Lucky Dollar Duo), 2025

Inkjet print on platine rag paper, wood frame

10 ⅜ × 12 ⅝ in

26.3 × 32 cm

Edition of 2 plus 1 artist's proof

Pati Hill

Untitled (Petals), 1980

Xerograph

11 ¾ × 8 ¼ in

29.7 × 21 cm

B. Ingrid Olson

Mutter, Splinter (Plastic Back [with etui]), 2020

Vinyl paint, latex paint, polyurethane foam, MDF, PETG plastic, batting, plywood, screws

Two parts, dimensions variable

Christopher Aque

Lilac (Estival), 2025

UV-C exposed gum bichromate print on paper in acrylic and linen frame

32 ⅛ × 25 ¼ × 1 ¾ in

81.5 × 64 × 4.5 cm

Edition of 2 plus 1 artist's proof

Bill Walton

Spring Crate (Plywood), no date

Wood, iron, plywood, paint

8 ¾ × 8 ¼ × 23 ⅜ in

22.2 × 21 × 59.4 cm

Asha Schechter

Silver Dustpan with C's fur, shards, Mickey, litter, and a leaf, 2019

Inkjet print on adhesive vinyl

54 × 60 in

137 × 152 cm

Hanna Stiegeler

Curiosity Gap (Knowledge III), 2022

Gouache and pigment screenprint on paper

42 × 57 ¾ in

106.6 × 146.6 cm

Megan Plunkett

The Crawling Key 05, 2023

Inkjet print on glossy, metallic paper mounted on foamcore

5 ½ × 3 × ½ in

14 × 7.6 × 1.3 cm

Will Sheridan Jr.

Sentences on tape, 2020

Tape, writing

Dimensions variable

D'Ette Nogle

Schrank A, 2026

Acrylic on canvas

19 ¾ × 22 ⅝ in

50 × 57.5 cm

"Schrank A" and "Schrank B" (both 2026) hang directly opposite from one another. The "Schrank" paintings follow earlier works, "Schranks #1- #3", exhibited previously in Berlin. "Schrank #1" is nearly a 1:1 replica of "Schrank" (1963), a beige-colored painting by Sigmar Polke. The only painterly elements in his work are a black line in the middle and two small keyholes. At the Kunstverein Braunschweig, the "Schrank" works have a pink background. Nogle approximates Baker Miller pink, also known as “Drunk Tank pink”, a color used in police stations, prisons, and psychiatric institutions because it has been proven to reduce violent or aggressive behavior.

Constantin Thun

Untitled, no date

19 ¾ × 27 ½ in

50 × 70 cm

Hanna Stiegeler

Escamotage (2), 2023

Lacquered steel, screenprinted textile

75 ¼ × 55 ⅛ × 27 ½ in

191 × 140 × 70 cm

Hanna Stiegeler

Aberration II, 2022

Gouache screenprint in aluminum frame

46 × 28 in

117 × 71 cm

Laurent Dupont

Salute Cristal, 2025

Acrylic on cardboard box

23 × 10 ¼ × 10 ¼ in

59 × 26 × 26 cm

Rose Beermann and Luzie Meyer

Guerilla Video 2, 2012

SD video

5 minutes, 42 seconds

Edition of 4 plus 1 artist's proof

Jesse Stecklow

Box Set, 2019

Corian, powdercoated and printed steel, chipboard, paper, ribbon, clips

26 ¼ × 16 ½ × 11 ¼ in

66.7 × 41.9 × 28.6 cm

Daniel, 2022

Wooden panels, champagne chalk, pigments, modular table frames, 2 tubular steel chairs "comeback 041" (L&C Stendal)

176 ⅜ × 31 ½ × 16 ⅞ in

448 × 80 × 43 cm

Friedemann Heckel

Untitled (Instagram Aquarell #19), 2019

Watercolor on paper

13 ⅝ × 10 ⅜ in

34.5 × 26.5 cm

Megan Plunkett

Moon Money (51 03), 2025

Inkjet print on platine rag paper, wood frame

5 ⅝ × 11 ⅝ in

14.4 × 29.6 cm

Edition of 2 plus 1 artist's proof

Marina Grize

Bathers 50 (Jules I), 2025

Dye diffusion transfer print, glass, artist’s frame

5 × 4 in

13 × 10 cm

Sofia Defino Leiby

Strand Oostende, 25 June, 2:26 PM, 2025

Watercolor and pencil on paper

19 ¾ × 17 ¾ in

50 × 45 cm

Jesse Stecklow

Untitled (6:05:16), 2024

Clock parts, chrome-painted straw, carbograph 5 air samplers

4 ½ × 4 ½ × 3 ½ in

11.4 × 11.4 × 8.9 cm

Bill Walton

Sweet Lou & Marie (#1), no date

Concrete, cotton, baking powder, tin

11 ¼ × 7 ¼ × 7 ¼ in

28.6 × 18.4 × 18.4 cm

Valentina Triet

Caress, 2021

C-print

18 ⅞ × 18 ⅞ in

48 × 48 cm

Edition of 2 plus 2 artist's proofs

Niklas Taleb

1995 XIII Instrumentals, 2021

Digital c-print, artist's frame (glazed tulipwood)

28 × 41 ⅜ in

71 × 105 cm

Edition of 3 plus 1 artist's proof

Left

Sofia Defino Leiby

Notebook 1, 2021

Hand-bound artist book

13 ⅜ × 11 ⅛ × 1 ⅝ in

34 × 28 × 4 cm

Center

Sofia Defino Leiby

Notebook 2, 2021

Hand-bound artist book

8 ⅝ × 6 ¼ × ⅜ in

22 × 16 × 1 cm

Right

Sofia Defino Leiby

Notebook 3, 2021

Hand-bound artist book

9 ⅛ × 6 ¾ × ⅜ in

23 × 17 × 1 cm

Megan Plunkett

Moon Money (Real), 2025

Inkjet print on platine rag paper, wood frame

6 ¾ × 15 ⅝ in

17 × 39.7 cm

Christopher Aque

Ebb, 2021

UV-C exposed gum bichromate print on paper in acrylic frame with linen passe-partout

20 ⅛ × 28 × 1 ⅜ in

51 × 71 × 4 cm

Unique

Morgan Canavan

With audience, stressed internally, 2020

Plastic, pigmented resin, stainless steel

6 ½ × 1 ⅛ × 5 ½ in

16.5 × 3 × 14 cm

Kayode Ojo

Afterparty for Mirror Cells, Whitney Museum of American Art, The Jane Hotel, New York (Elaine), 2016

C-print in polished aluminum frame

27 ⅛ × 40 ½ × 1 ⅝ in

68.9 × 102.9 × 4 cm

Sofia Defino Leiby

Chaste and Whole, 2022

Embossing and collage on Rives BFK paper

17 ⅛ × 16 ½ in

43.5 × 42 cm

Luzie Meyer

Voir VI (Bodies in Camera), 2025

Framed black and white photograph

11 ¾ × 16 ⅞ in

30 × 43 cm

Andrew J. Greene

Umbrella Dryer (Goldman Sachs), 2017–2019

Umbrella, aluminum tubing, glass, motorized turntable, chrome table base

50 × 36 × 36 in

127 × 91.4 × 91.4 cm

Marina Grize

Bathers 38 (Marie), 2024

Dye diffusion transfer print, glass, artist’s frame

10 × 8 in

25.5 × 20.5 cm

Marina Grize

Pearled, 2026

Dye sublimation print, cast aluminum, steel hardware

10 × 8 in

25.5 × 20.5 cm

Jesse Stecklow

Database (Toluene), 2024

Crude oil lucite paperweights, silkscreen on paper, hanger studs, glass, MDF

13 × 18 × 8 ½ in

33 × 45.7 × 21.6 cm

Alexandre Khondji

Untitled (Blue, White and Red Panels), 2025

Gel-coated fiberglass polyester

49 ⅝ × 196 ⅞ × 5 ⅞ in

126 × 500 × 15 cm

D'Ette Nogle

Mallet, 2020

Mallet

2 × 10 ⅜ × 3 ⅛ in

5 × 26.5 × 8 cm

Megan Plunkett

Moon Money (51 02), 2025

Inkjet print on platine rag paper, wood frame

6 ¼ × 11 ¾ in

15.8 × 29.8 cm

Edition of 2 plus 1 artist's proof

Sofia Defino Leiby

Insight, 2026

Collage on panel, watercolor

15 ¾ × 11 ¾ in

40 × 30 cm

Megan Plunkett

Moon Money (51 01), 2025

Inkjet print on platine rag paper, wood frame

9 ⅝ × 12 ⅝ in

24.5 × 32.1 cm

Edition of 2 plus 1 artist's proof

Kayode Ojo

Silver (Dallas) II, 2018

Framed archival pigment print

16 ½ × 13 ½ in

42 × 34 cm

Edition of 3 plus 1 artist's proof

Friedemann Heckel

Fest, 1949, 2023

Watercolor on paper in stained maple frame

54 ⅜ × 86 in

138.1 × 218.6 cm

Kayode Ojo

Vaterdrum, Mutterdrum, Michdrum, 2021

SONGMICS Heavy Duty Clothes Rack Coat Rack on Wheels (2), Floor Standing Sign Holder - Single Tier Chrome, Pearl CRB524P C730 Crystal Beat Fusion Shell Drum Set Acrylic, Liberty Imports Heavy Duty Diecast Metal Stainless Steel Handcuffs with Keys Bulk Party Favors for Police Kids Role Play (6), The Glass Cage by Georges Simenon

Installation dimensions variable

Marina Grize

Strange Power, 2026

Dye sublimation print, cast aluminum, gatorboard, steel hardware

8 × 6 in

20.5 × 15 cm

D'Ette Nogle

Banner (The Girl - Hair in Wind), 2020

Vinyl banner

50 × 91 ⅜ in

127 × 232.2 cm

Edition of 2 plus 1 artist's proof

Marina Grize

Bathers 21 (Jean), 2024

Dye diffusion transfer print, glass, artist’s frame

8 ¼ × 6 ¼ in

21 × 16 cm

D'Ette Nogle

Crib to Casket (Peanuts, Pent- house, Playboy, Playgirl), 2026

Annual calendars, 1974 to present

Dimensions variable

This ongoing work consists of calendars from 1974 to the present, one for each year of the artist’s life so far. Every day of every year is stamped with a US flag.

Luzie Meyer

Ambiguity Tolerance, 2022

C-print in artist's frame

13 ¾ × 15 ⅜ in

35 × 39 cm

Constantin Thun

Untitled, no date

19 ¾ × 27 ½ in

50 × 70 cm

Luzie Meyer

When falsehood can look so like the truth, who can assure themselves of certain happiness?, 2019

Acrylic paint, clay, glue, human hair, fabric, metal wire, wood

Dimensions variable

Carol Rhodes

Sheds, 2013

Pencil on paper

17 ¾ × 20 ⅛ in

45 × 51 cm

Marina Grize

Bathers 55 (Sergio), 2025

Dye diffusion transfer print, glass, artist’s frame

10 × 8 in

25.5 × 20.5 cm

Luzie Meyer

unidentified III, 2020

Framed c-print

9 ½ × 11 ¾ in

24 × 30 cm

D'Ette Nogle

Articulated Mannequin as Chris Burden on Volkswagen, 1974, 2025

Polypropylene mannequin on stand

66 ⅛ × 63 × 48 ⅜ in

168 × 160 × 123 cm

Sofia Defino Leiby

Silent Protagonist, 2022

Carbon transfer, graphite, watercolor, acrylic on linen

11 ¾ × 15 ¾ in

30 × 40 cm

Megan Plunkett

Dirty, Dirty 14, 2023–2024

Inkjet print on matte paper, mounted on black foamcore

6 ⅛ × 3 ¾ × ½ in

15.5 × 9.4 × 1.3 cm

Constantin Thun

You think it will never happen to you, that it cannot happen to you, that you are the only person in the world to whom none of these things will ever happen, and then, one by one, they all begin to happen to you, in the same way they happen to everyone else,, 2020

Materials variable

Installation dimensions variable

Sofia Defino Leiby

Dolls Museum II, 2026

Collage, oil on wood artist panel

9 ⅞ × 15 in

25 × 38 cm

Friedemann Heckel

Pferd, 1942, 2023

Watercolor on paper in stained maple frame

52 ¼ × 47 ½ in

132.7 × 120.7 cm

Bill Walton

Small Sculpture (#1), no date

Wood, lead

3 ¼ × 2 ¼ × 2 in

8.3 × 5.7 × 5.1 cm

Constantin Thun

Untitled (The Painted House, projecting roofs at Hotel San Francesco al Monte Naples, empty space at Noah’s Ark, Everything is important meme, Untitled (Predator Drone), Katsura imperial villa), 2019

150 sheets of transparent foil

11 ¾ × 8 ¼ × ¾ in

29.7 × 21 × 2 cm

Sofia Defino Leiby

Anagram, 2022

Solvent transfer and pencil on paper

24 ⅜ × 32 ¼ in

62 × 82 cm

Valentina Triet

Caress, 2021

C-print

18 ⅞ × 18 ⅞ in

48 × 48 cm

Edition of 2 plus 2 artist's proofs

Luzie Meyer

unidentified II, 2020

Framed c-print

11 ¾ × 9 ½ in

30 × 24 cm

Marina Grize

Bathers 10 (Iris), 2023

Dye diffusion transfer print, glass, artist’s frame

8 ¼ × 6 ¼ in

21 × 16 cm

Morgan Canavan

Without audience, stressed internally, 2020

Plexiglas, pigmented resin, stainless steel

5 ¾ × 1 ⅛ × 5 ⅞ in

14.5 × 3 × 15 cm

Luzie Meyer

If all is questioned, what’s left?, 2022

Pinhole camera photograph in artist's frame

22 ⅛ × 18 ⅞ in

56 × 48 cm

Alexandre Khondji

Triple Insert, 2025

Endoscopic camera, KVM console

Installation dimensions variable

From each KVM console, one wire leading into the wall is a light; the second wire is an endoscopic camera. The camera relays a live video feed, which is displayed on the console's monitor.

Friedemann Heckel

Untitled (Instagram Aquarell #7), 2017

Watercolor on paper

52 ¼ × 47 ½ in

132.7 × 120.7 cm

Friedemann Heckel

Interior II, 2025

Watercolor on paper, various found objects on wooden backdrop

15 ¾ × 19 ¾ × 4 in

40 × 50 × 10 cm

Jesse Stecklow

Ear Wiggler, 2016

Dried corn, drawing, aluminum, duct fan parts, powder coated aluminum, wood, hardware, cables

13 × 18 × 10 ½ in

33 × 45.7 × 26.7 cm

Christopher Aque

Growth (Canal), 2022

UV-C exposed gum bichromate print on paper in acrylic frame with linen passe-partout

20 ⅛ × 14 ¾ × 1 ⅜ in

51 × 37.5 × 3.6 cm

Edition of 3 plus 1 artist's proof

Megan Plunkett

Signs and Wonders 08, 2022

Inkjet print in aluminum frame

9 ¼ × 7 ⅞ in

23.5 × 20 cm

Edition of 2 plus 1 artist's proof

Bill Walton

Spring Crate, no date

Concrete, iron, wood, tin

5 ¾ × 8 ⅝ × 15 ½ in

14.6 × 21.9 × 39.4 cm

Marina Grize

Divine icons roam as lens

Christopher Aque and Megan Plunkett featured in Art & Order

Photography's Endless Coming of Age

by Emile Rubino

Sweetwater now represents Marina Grize

Kayode Ojo at Powder Mountain featured in Vogue

Welcome to Powder Mountain, Utah’s Skiable New Answer to Storm King

On View

Marina Grize

Divine icons roam as lens

D'Ette Nogle

Let It R.I.P.

Exhibitions Elsewhere

Kayode Ojo

The Happiness Project, Episode 3: Hearth and Home

Luzie Meyer

Strukturen: Prelude

Marina Grize

Hard to Imagine

D'Ette Nogle

Let It R.I.P.

Kayode Ojo

Infinitesimal Time, Monumental Matter: Scales of Existence

Constantin Thun

Megan Plunkett

Alexandre Khondji

A Certain Distance

Megan Plunkett

Welcome In

Megan Plunkett

Here/Now

Kayode Ojo

Long Story Short

Artworks

Artworks