On View, Upcoming

Megan Plunkett

Terminal Piece

Group Exhibition

June 20, 2026 to February 7, 2027

Museum moderner Kunst Stiftung Ludwig Wien (mumok), Vienna, Austria

Jesse Stecklow, Hanna Stiegeler
Paris Internationale
October 19, 2026 to October 24, 2026
187-189 Quai de Valmy, Paris, France
Kayode Ojo
Offsite Presentation
October 20, 2026 to November 8, 2026
Silencio, Paris, France

Exhibitions Elsewhere

Bill Walton

A Form of Honesty

Solo Exhibition

October 29, 2026 to January 24, 2027

Studio Voltaire, London, United Kingdom

Kayode Ojo

Offsite Presentation

October 20, 2026 to November 8, 2026

Silencio, Paris, France

Sofia Defino Leiby

Minor Ruptures

Group Exhibition

October 16, 2026 to November 7, 2026

Rosegarden, Berlin, Germany

Kayode Ojo

Pornographie

Group Exhibition

October 15, 2026 to November 20, 2026

Galerie Carole Lambert, Paris, France

Megan Plunkett

Terminal Piece

Group Exhibition

June 20, 2026 to February 7, 2027

Museum moderner Kunst Stiftung Ludwig Wien (mumok), Vienna, Austria

Kayode Ojo

The World Seen Anew

Group Exhibition

June 5, 2026 to November 30, 2026

FOLTA Collection, Wrocław, Poland

Kayode Ojo

Long Story Short

Group Exhibition

October 23, 2025 to January 31, 2027

Museum Brandhorst, Munich, Germany

Artworks

Hanna Stiegeler

Content Creation (AFT121806), 2019

Gouache screenprint on paper

41 ⅞ × 30 ⅛ in

76.3 × 106.5 cm

Sofia Defino Leiby

Happier than Ever, 2024

Oil on antique linen

15 ¾ × 19 ¾ in

40 × 50.2 cm

Jesse Stecklow

Untitled (4:16:52), 2014

Clock parts, clock guard, Carbograph 5 air samplers

14 × 14 × 4 in

35.6 × 35.6 × 10.2 cm

Hanna Stiegeler

Margarethe I+II, 2026

Aluminium

31 ½ × 15 ¾ in

80 × 40 cm

Luzie Meyer

Sample 1, 2022

C-print in artist's frame

10 × 8 ⅛ in

25.5 × 20.5 cm

D'Ette Nogle

House cricket, 2026

Audio file, audio player, Bluetooth speaker, technical equipment from the Kunstverein Braunschweig's basement

Dimensions variable

Jesse Stecklow

Database (Empty), 2022

Empty data set, silkscreen on paper, MDF, hanger studs

13 × 18 × 3 ½ in

33 × 46 × 9 cm

Luzie Meyer

Sample 2, 2022

C-print in artist's frame

8 ⅛ × 10 in

20.5 × 25.5 cm

Hanna Stiegeler

1993/1091, 2026

Screenprint, gouache on paper

27 ½ × 39 ⅜ in

70 × 100 cm

Megan Plunkett

The Crawling Key 04, 2023

Inkjet print on glossy, metallic paper mounted on foamcore

6 × 3 ⅞ × ½ in

15.2 × 9.8 × 1.3 cm

D'Ette Nogle

Schlossmuseum Braunschweig, 2026

Found materials

Dimensions variable

In the first room of the exhibition that visitors encounter, Nogle asked the installation team of the Kunstverein to reconstruct the throne from the Schlossmuseum (Palace Museum) Braunschweig using materials accumulated in the back rooms of the Kunstverein. The Schlossmuseum Braunschweig is located in the partially reconstructed ducal palace, completed in 2007 and incorporating spolia of the original building. In the museum’s floor plan, the throne room is positioned as the highlight of a permanent exhibition of the 19th century living quarters under Duke Wilhelm. In 2004, the Braunschweig city council narrowly approved the demolition of the palace park to build a shopping mall, with the condition that the palace facade be reconstructed. "Bruhe-Party/Broth Party" and "Werther’s Originals" (both 2026), invite viewers to enjoy a cup of hot vegetable broth and a candy.

Constantin Thun

Monte Cassino corners I, 2009

Fujiflex print, artist frame

15 × 12 ⅜ in

38 × 31.5 cm

Kayode Ojo

Silver (Dallas) IV, 2018

Framed archival pigment print

16 ½ × 13 ½ in

42 × 34 cm

Edition of 3 plus 1 artist's proof

Bill Walton

Small Sculpture (#6), no date

Wood, iron, glass

1 ¾ × 4 ⅞ × 1 ¾ in

4.4 × 12.4 × 4.4 cm

Bettina

Phenomenological New York, 1972–1986

Silver gelatin print

9 ¾ × 6 ¼ in

24.8 × 15.9 cm

Rhea Dillon

Whims, Yearnings and Antipathies, 2023

Collated woods, brass and nail

36 × 1 ⅜ × 1 ¾ in

91.5 × 3.5 × 4.5 cm

Marina Grize

Bathers 49 (Abigail), 2025

Dye diffusion transfer print, glass, artist’s frame

5 × 4 in

13 × 10 cm

Constantin Thun

Providence,, no date

Cherry wood

13 ¼ × 24 ⅜ × 9 in

33.5 × 62 × 23 cm

Jesse Stecklow

Untitled (four sound stages), 2015

Box lids, cumin seed oil, steel, speakers, tuning fork, neoprene tubing, 4-channel sound (15:02, looped)

Four boxes, each:

15 ¾ × 9 ½ × 6 ¾ in

40 × 24 × 17 cm

Constantin Thun

Untitled, no date

92 ½ × 5 ⅞ in

235 × 15 cm

Luzie Meyer

What lies, straight ahead, 2022

Pinhole camera photograph in artist's frame

22 ⅛ × 18 ⅞ in

56 × 48 cm

Niklas Taleb

1996 IV, 2021

Digital c-print, artist's frame

28 × 41 ⅜ in

71 × 105 cm

Edition of 3 plus 1 artist's proof

Sofia Defino Leiby

Morning Routine 2, 2021

Silkscreen ink, oil, acrylic, watercolor, pigment, graphite, and carbon pigment on Alu-Dibond

13 ¾ × 19 ¾ in

35 × 50 cm

Jesse Stecklow

Under Lock and Key, 2024

Terminal exhibition catalogue, Monsanto facility padlock and keys, steel padlock keepers, vellum, paper, MDF

13 × 18 × 3 in

33 × 45.7 × 7.6 cm

Farah Al Qasimi

Dragon Mart Curtain Shop, 2019

Vinyl wall application

variable dimensions

Edition of 2 plus 1 artist's proof

Kayode Ojo

Tenet (Paris), 2021

Designer glass table by Milo Baughman original 1970s oval, Comme des Garçons Mini Briefcase Silver, Comme des Garçons Mini Briefcase Black, Revolver Automatic injection Glass Barrel Luer-Locks 50 ML for All Livestock, Minox C Miniature camera Camera Spycamera Camera - 15mm 1:3.5 Optic, Minox CLX unfinished factory defect for hobbyist

36 ¼ × 78 ¾ × 31 ½ in

92 × 200 × 80 cm

Alexandre Khondji

Triple Insert, 2025

Endoscopic camera, KVM console

Installation dimensions variable

From each KVM console, one wire leading into the wall is a light; the second wire is an endoscopic camera. The camera relays a live video feed, which is displayed on the console's monitor.

Sofia Defino Leiby

Viel-Vitamin A-Z,, 2022

Embossing on Rives BFK paper

15 ½ × 16 ½ in

39.5 × 42 cm

Jesse Stecklow

Untitled (9:56:25), 2022

Clock parts, plate, acrylic, Carbograph 5 air samplers

14 × 14 × 4 in

35.6 × 35.6 × 10.2 cm

Constantin Thun

Cabin, 2020

oak

78 × 179 × 136 in

195 × 455 × 345 cm

Megan Plunkett

Signs and Wonders 02, 2022

Inkjet print in aluminum frame

7 ⅞ × 9 ¼ in

20 × 23.5 cm

Edition of 2 plus 1 artist's proof

Constantin Thun

Untitled (Cabin,), no date

Fujiflex print, artist’s frame

27 ⅛ × 22 ½ in

69 × 57 cm

Bill Walton

Small sculpture (#18), no date

Soap, lead

1 ¼ × 3 × 2 in

3.2 × 7.6 × 5.1 cm

Morten Knudsen

Sleeping tongue, 2024

Oil, wax, canvas

27 ½ × 24 in

70 × 61 cm

Luzie Meyer

Pin Up Hang Up, 2020

Pen on handmade paper

15 ⅜ × 12 ⅝ in

39 × 32 cm

Morten Knudsen

E is for everything 8/12, 2026

Pencil on canvas

33 ½ × 36 ⅝ in

85 × 93 cm

Constantin Thun

Untitled, no date

19 ¾ × 27 ½ in

50 × 70 cm

Jesse Stecklow

Corn Cage, 2023

Stainless steel wire, hanger studs, wire rope, dried corn, corian

13 × 18 × 10 in

33 × 46 × 25 cm

Megan Plunkett

Moon Money (Dracula 02), 2024–2025

Inkjet print on Canson Platine Rag, wood frame

5 × 10 ½ in

12.6 × 26.6 cm

Edition of 2 plus 1 artist's proof

Luzie Meyer

I was dependent on none, and related to none., 2019

C-print in artist's frame

12 ¾ × 14 ¾ × 1 ¾ in

32.5 × 37.5 × 4.5 cm

Luzie Meyer

My dear, do not waste your time upon this; it is sad trash., 2019

C-print in artist's frame

12 ¾ × 14 ¾ × 1 ¾ in

32.5 × 37.5 × 4.5 cm

Constantin Thun

Untitled, no date

Glass, copper frame

9 ⅛ × 9 ⅛ × 4 ⅜ in

23 × 23 × 11 cm

Sofia Defino Leiby

Hope Chest, 2023

Collage, chalk pastel, acrylic, and pencil on panel

19 ¾ × 15 ¾ in

50 × 40 cm

Bill Walton

Spring Crate, no date

Wood, bronze

5 × 8 ½ × 8 ½ in

12.7 × 21.6 × 21.6 cm

Constantin Thun

Untitled (reverse bookshelf note, La Casa Del Genio, actress and stage, The Art Of Japanese Joinery, eigene Landkarten note, expectation/reflex architecture), 2019

150 sheets of transparent foil

11 ¾ × 8 ¼ × ¾ in

29.7 × 21 × 2 cm

Nina Porter

R5C3071124, 2024

C-type contact print and C-type negative in artist's frame

94 ½ × 5 ½ × ⅞ in

240 × 14 × 2.2 cm

Devin T. Mays

Untitled, 2024

Polaroid

4 ¼ × 3 ½ in

10.8 × 8.9 cm

Morten Knudsen

Six Days and Six Nights 1/12, 2026

Aluminum, acrylic, glue, synthetic paper

44 ⅞ × 44 ⅞ in

114 × 114 cm

Megan Plunkett

The Omissive Eye, 2022–2023

Inkjet print on glossy paper in aluminum frame

17 ⅜ × 23 ⅜ in

44 × 59.5 cm

Edition of 2 plus 1 artist's proof

Laurent Dupont

4x5 Ltr. PET, 2020

Acrylic on cardboard box

12 ¼ × 15 × 11 in

31 × 38 × 28 cm

Constantin Thun

Monte Cassino corners VIII, 2009

Fujiflex print, artist frame

15 × 12 ⅜ in

38 × 31.5 cm

Jesse Stecklow

Box Set, 2021

Corian, aluminium, chipboard, paper, UV print, ribbon and clips

12 × 27 × 15 in

30.5 × 68.6 × 38.1 cm

Jesse Stecklow

Room Box, 2022

Coated MDF, rubber, motor, aluminum, hardware, timer

6 ¼ × 17 ¾ × 7 in

15.9 × 45 × 17.8 cm

Helene Appel

Envelope, 2023

Acrylic and watercolor on cotton

8 ⅝ × 4 ⅜ in

22 × 11 cm

Megan Plunkett

Moon Money (Florida 01), 2025

Inkjet print on Canson Platine Rag, wood frame

12 ⅝ × 17 ⅝ in

32.2 × 44.8 cm

Jesse Stecklow

Untitled (10:37:12), 2014

Clock parts, Carbograph 5 air samplers

11 ¾ × 11 ¾ × 3 in

30 × 29.8 × 7.6 cm

Christopher Aque

Flow, 2021

UV-C exposed gum bichromate print on paper in acrylic frame with linen passe-partout

20 ⅛ × 28 × 1 ⅜ in

51 × 71 × 4 cm

Unique

Megan Plunkett

Dissemblancer 13, 2020–2026

Inkjet print on Canson Platine Fibre Rag paper, black wooden frames

45 × 40 in

114.3 × 101.6 cm

Edition of 2 plus 1 artist's proof

Constantin Thun

Untitled, no date

19 ¾ × 27 ½ in

50 × 70 cm

D'Ette Nogle

VW Beetle Monterey Rd., 2025

Video loop on monitor, no sound

9 seconds, looped

Constantin Thun

Untitled, no date

Cardboard box, assorted materials

18 × 14 × 3 in

45 × 34.5 × 8 cm

Hanna Stiegeler

6377BAL, 2026

Screenprint, gouache on paper

27 ½ × 39 ⅜ in

70 × 100 cm

Hanna Stiegeler

1999/2513, 2026

Screenprint, gouache on paper

27 ½ × 39 ⅜ in

70 × 100 cm

D'Ette Nogle

Dresses 8, 1996

Framed silver gelatin print

13 ⅞ × 10 ⅝ in

35.2 × 27 cm

Megan Plunkett

Dissemblancer 09, 2020–2026

Inkjet print on Canson Platine Fibre Rag paper, black wooden frames

45 × 40 in

114.3 × 101.6 cm

Edition of 2 plus 1 artist's proof

The Novelist, 2022

Wooden panels, champagne chalk, pigments, modular table frames, 2 tubular steel chairs "comeback 041" (L&C Stendal)

31 ⅛ × 55 ⅞ × 22 ⅞ in

79 × 142 × 58 cm

Kayode Ojo

Reaching Out (US), 2015

Framed archival pigment print

13 ½ × 16 ½ in

34 × 42 cm

Edition of 3 plus 1 artist's proof

Megan Plunkett

Signs and Wonders 10, 2022

Inkjet print in aluminum frame

9 ¼ × 7 ⅞ in

23.5 × 20 cm

Edition of 2 plus 1 artist's proof

Kayode Ojo

Border Control (OOO, Venice), 2022

C-print in polished aluminum frame

13 ¾ × 20 ½ × 1 ⅛ in

35 × 52 × 3 cm

Kayode Ojo

Flyover state, 2021

Amazing Hasselblad 500cm Camera Suitcase Case Briefcase 26"x 18.75"x 5.75", Clear Amac Boxes (8), Mirrors

35 ⅜ × 26 × 26 in

90 × 66 × 66 cm

Left:

B. Ingrid Olson

Mutter, Splinter (Plastic Back [with etui]), 2020

Mutter, Splinter (Plastic Back [with etui])

Two parts, installation dimensions variable

Right

Max Schmidtlein

Untitled, 2020

Acrylic binder and charcoal on silk

19.5 × 43.5 in

50 × 110 cm

Kayode Ojo

Silver (Dallas) III, 2018

Framed archival pigment print

16 ½ × 13 ½ in

42 × 34 cm

Edition of 3 plus 1 artist's proof

Marina Grize

Joan of Arc (1948), 2023

Chromogenic Type-R print

24 × 20 in

61 × 51 cm

Marina Grize

Think back through our Mothers 1993 (Lesbian Avengers Eat Fire Too; first NYC Dyke March), 2025

Dye diffusion transfer print, cast aluminum, museum rag, conservation board, hardware

8 × 6 in

20 × 15 cm

Marina Grize

Bathers 16 (Mona), 2024

Dye diffusion transfer print, glass, artist’s frame

10 × 8 in

25 1/2 × 20 1/2 cm

Morten Knudsen

SIX DAYS and SIX NIGHTS (2020) 8/12, 2020

Acrylic, synthetic paper, aluminum, contact glue

45 ¾ × 44 in

116.5 × 112 cm

Morten Knudsen

Untitled, 2026

Oil, glue, adhesive tack, and wax on canvas

53 ¼ × 69 in

135 × 175 cm

Kayode Ojo

His Dark Materials (Paradox), 2024

Virginia Black Decadent American Whiskey 0,7 ltr., Rare Vintage Citizen GN-4-S ANA-Digi Temp Men Wristwatch Japan Pre-owned, Prada PARADOXE, Polaroid SX-70 Original, Mirror

10 × 48 × 12 in

25.5 × 121.9 × 30.5 cm

D'Ette Nogle

250 Birds, 2026

Hand-stenciled and painted wood cutouts, wooden stands, velcro

Dimensions variable

Ladders and building materials form an ad hoc scaffold across the Gartensaal (Garden Hall). A table rests on the scaffold’s planks. 250 wooden birds, modeled after a decorative stenciled motif the artist viewed at the Städtisches Museum (Municipal Museum) Braunschweig, are densely scattered throughout the room, along with 250 blank metallic buttons (reminiscent of I Voted pins), and 55 wooden baseball bats. A simple wooden structure the size of a typical US refrigerator houses two stacked European refrigerators, like those commonly found in shared kitchens in Germany – or, in this case, at the Kunstverein Braunschweig. One contains a cake from a local bakery. In observance of the US’s semiquincentennial, the Gartensaal has spun out of control, leaving little room to move.

Left

Andy Warhol

Valentine’s Day Ads (How to tell you’re having a heart attack), 1983

Synthetic polymer paint and silkscreen ink on canvas

14 × 11 in

35.5 × 28 cm

Right

Andy Warhol

Valentine’s Day Ads (Heart Fund), 1983

Synthetic polymer paint and silkscreen ink on canvas

14 × 11 in

35.5 × 28 cm

Marlon Mullen

Untitled, 2016

Acrylic on canvas

18 × 36 in

46 × 91 cm

Sofia Defino Leiby

Shop by Concern, 2023

Paper, ribbon, silkscreen ink, acrylic, and spray paint on panel

23 ⅝ × 16 ½ in

60 × 42 cm

Kayode Ojo

Euros, Private Club, Köln, 2019

Framed archival pigment print

13 ½ × 16 ½ in

34 × 42 cm

Edition of 3 plus 1 artist's proof

Marina Xenofontos

Arriving at Always, 2022

MDF wood, silver leaf

23 ⅝ × 8 ⅝ × 5 in

60 × 21.9 × 12.7 cm

Jesse Stecklow, Hanna Stiegeler

Paris Internationale

Luzie Meyer featured in Flash Art

The Sound of Broken Eggshells

by Tabea Marschall

D'Ette Nogle, Let it R.I.P. reviewed in Artforum

No More Broth: D'Ette Nogle's R.I.P. for America

by Gracie Hadland

Sweetwater now represents Morten Knudsen

On View, Upcoming

Megan Plunkett

Terminal Piece

Jesse Stecklow, Hanna Stiegeler

Paris Internationale

Kayode Ojo

Exhibitions Elsewhere

Bill Walton

A Form of Honesty

Kayode Ojo

Sofia Defino Leiby

Minor Ruptures

Kayode Ojo

Pornographie

Megan Plunkett

Terminal Piece

Kayode Ojo

The World Seen Anew

Kayode Ojo

Long Story Short

Artworks

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