On View, Upcoming

Megan Plunkett

Terminal Piece

Group Exhibition

June 20, 2026 to February 7, 2027

Museum moderner Kunst Stiftung Ludwig Wien (mumok), Vienna, Austria

Jesse Stecklow, Hanna Stiegeler
Paris Internationale
October 19, 2026 to October 24, 2026
187-189 Quai de Valmy, Paris, France

Exhibitions Elsewhere

Bill Walton

A Form of Honesty

Solo Exhibition

October 29, 2026 to January 24, 2027

Studio Voltaire, London, United Kingdom

Megan Plunkett

Terminal Piece

Group Exhibition

June 20, 2026 to February 7, 2027

Museum moderner Kunst Stiftung Ludwig Wien (mumok), Vienna, Austria

Alexandre Khondji

Wo ich wohne

Group Exhibition

June 14, 2026 to September 27, 2026

Haus am Waldsee, Berlin, Germany

Kayode Ojo

The World Seen Anew

Group Exhibition

June 5, 2026 to November 30, 2026

FOLTA Collection, Wrocław, Poland

Kayode Ojo

Long Story Short

Group Exhibition

October 23, 2025 to January 31, 2027

Museum Brandhorst, Munich, Germany

Artworks

B. Ingrid Olson

Mutter, Splinter (Plastic Back [with etui]), 2020

Vinyl paint, latex paint, polyurethane foam, MDF, PETG plastic, batting, plywood, screws

Two parts, dimensions variable

Christopher Aque

Lilac (Estival), 2025

UV-C exposed gum bichromate print on paper in acrylic and linen frame

32 ⅛ × 25 ¼ × 1 ¾ in

81.5 × 64 × 4.5 cm

Edition of 2 plus 1 artist's proof

Bill Walton

Spring Crate (Plywood), no date

Wood, iron, plywood, paint

8 ¾ × 8 ¼ × 23 ⅜ in

22.2 × 21 × 59.4 cm

Asha Schechter

Silver Dustpan with C's fur, shards, Mickey, litter, and a leaf, 2019

Inkjet print on adhesive vinyl

54 × 60 in

137 × 152 cm

Hanna Stiegeler

Curiosity Gap (Knowledge III), 2022

Gouache and pigment screenprint on paper

42 × 57 ¾ in

106.6 × 146.6 cm

Megan Plunkett

The Crawling Key 05, 2023

Inkjet print on glossy, metallic paper mounted on foamcore

5 ½ × 3 × ½ in

14 × 7.6 × 1.3 cm

Will Sheridan Jr.

Sentences on tape, 2020

Tape, writing

Dimensions variable

D'Ette Nogle

Schrank A, 2026

Acrylic on canvas

19 ¾ × 22 ⅝ in

50 × 57.5 cm

"Schrank A" and "Schrank B" (both 2026) hang directly opposite from one another. The "Schrank" paintings follow earlier works, "Schranks #1- #3", exhibited previously in Berlin. "Schrank #1" is nearly a 1:1 replica of "Schrank" (1963), a beige-colored painting by Sigmar Polke. The only painterly elements in his work are a black line in the middle and two small keyholes. At the Kunstverein Braunschweig, the "Schrank" works have a pink background. Nogle approximates Baker Miller pink, also known as “Drunk Tank pink”, a color used in police stations, prisons, and psychiatric institutions because it has been proven to reduce violent or aggressive behavior.

Constantin Thun

Untitled, no date

19 ¾ × 27 ½ in

50 × 70 cm

Hanna Stiegeler

Escamotage (2), 2023

Lacquered steel, screenprinted textile

75 ¼ × 55 ⅛ × 27 ½ in

191 × 140 × 70 cm

Hanna Stiegeler

Brutes des nuits I, 2026

Acrylic on canvas

65 ⅜ × 115 ¾ in

166 × 294 cm

Hanna Stiegeler

Brutes des nuits III, 2026

Acrylic on canvas

78 ¾ × 78 ¾ in

200 × 200 cm

Hanna Stiegeler

Aberration II, 2022

Gouache screenprint in aluminum frame

46 × 28 in

117 × 71 cm

Laurent Dupont

Salute Cristal, 2025

Acrylic on cardboard box

23 × 10 ¼ × 10 ¼ in

59 × 26 × 26 cm

Rose Beermann and Luzie Meyer

Guerilla Video 2, 2012

SD video

5 minutes, 42 seconds

Edition of 4 plus 1 artist's proof

Megan Plunkett

Dissemblancer 16, 2020–2026

Inkjet print on Canson Platine Fibre Rag paper, black wooden frames

50 × 24 in

127 × 61 cm

Edition of 2 plus 1 artist's proof

Jesse Stecklow

Box Set, 2019

Corian, powdercoated and printed steel, chipboard, paper, ribbon, clips

11 ¾ × 15 ¼ × 15 in

30 × 38.5 × 38 cm

Daniel, 2022

Wooden panels, champagne chalk, pigments, modular table frames, 2 tubular steel chairs "comeback 041" (L&C Stendal)

176 ⅜ × 31 ½ × 16 ⅞ in

448 × 80 × 43 cm

Friedemann Heckel

Untitled (Instagram Aquarell #19), 2019

Watercolor on paper

13 ⅝ × 10 ⅜ in

34.5 × 26.5 cm

Megan Plunkett

Moon Money (51 03), 2025

Inkjet print on Canson Platine Rag, wood frame

5 ⅝ × 11 ⅝ in

14.4 × 29.6 cm

Edition of 2 plus 1 artist's proof

Marina Grize

Bathers 50 (Jules I), 2025

Dye diffusion transfer print, glass, artist’s frame

5 × 4 in

13 × 10 cm

Sofia Defino Leiby

Strand Oostende, 25 June, 2:26 PM, 2025

Watercolor and pencil on paper

19 ¾ × 17 ¾ in

50 × 45 cm

Jesse Stecklow

Untitled (6:05:16), 2024

Clock parts, chrome-painted straw, carbograph 5 air samplers

4 ½ × 4 ½ × 3 ½ in

11.4 × 11.4 × 8.9 cm

Bill Walton

Sweet Lou & Marie (#1), no date

Concrete, cotton, baking powder, tin

11 ¼ × 7 ¼ × 7 ¼ in

28.6 × 18.4 × 18.4 cm

Valentina Triet

Caress, 2021

C-print

18 ⅞ × 18 ⅞ in

48 × 48 cm

Edition of 2 plus 2 artist's proofs

Niklas Taleb

1995 XIII Instrumentals, 2021

Digital c-print, artist's frame (glazed tulipwood)

28 × 41 ⅜ in

71 × 105 cm

Edition of 3 plus 1 artist's proof

Left

Sofia Defino Leiby

Notebook 1, 2021

Hand-bound artist book

13 ⅜ × 11 ⅛ × 1 ⅝ in

34 × 28 × 4 cm

Center

Sofia Defino Leiby

Notebook 2, 2021

Hand-bound artist book

8 ⅝ × 6 ¼ × ⅜ in

22 × 16 × 1 cm

Right

Sofia Defino Leiby

Notebook 3, 2021

Hand-bound artist book

9 ⅛ × 6 ¾ × ⅜ in

23 × 17 × 1 cm

Megan Plunkett

Moon Money (Real), 2025

Inkjet print on Canson Platine Rag, wood frame

6 ¾ × 15 ⅝ in

17 × 39.7 cm

Christopher Aque

Ebb, 2021

UV-C exposed gum bichromate print on paper in acrylic frame with linen passe-partout

20 ⅛ × 28 × 1 ⅜ in

51 × 71 × 4 cm

Unique

Morgan Canavan

With audience, stressed internally, 2020

Plastic, pigmented resin, stainless steel

6 ½ × 1 ⅛ × 5 ½ in

16.5 × 3 × 14 cm

Kayode Ojo

Afterparty for Mirror Cells, Whitney Museum of American Art, The Jane Hotel, New York (Elaine), 2016

C-print in polished aluminum frame

27 ⅛ × 40 ½ × 1 ⅝ in

68.9 × 102.9 × 4 cm

Sofia Defino Leiby

Chaste and Whole, 2022

Embossing and collage on Rives BFK paper

17 ⅛ × 16 ½ in

43.5 × 42 cm

Luzie Meyer

Voir VI (Bodies in Camera), 2025

Framed black and white photograph

11 ¾ × 16 ⅞ in

30 × 43 cm

Andrew J. Greene

Umbrella Dryer (Goldman Sachs), 2017–2019

Umbrella, aluminum tubing, glass, motorized turntable, chrome table base

50 × 36 × 36 in

127 × 91.4 × 91.4 cm

Marina Grize

Bathers 38 (Marie), 2024

Dye diffusion transfer print, glass, artist’s frame

10 × 8 in

25.5 × 20.5 cm

Marina Grize

Pearled, 2026

Dye sublimation print, cast aluminum, steel hardware

10 × 8 in

25.5 × 20.5 cm

Jesse Stecklow

Database (Toluene), 2024

Crude oil lucite paperweights, silkscreen on paper, hanger studs, glass, MDF

13 × 18 × 8 ½ in

33 × 45.7 × 21.6 cm

Alexandre Khondji

Untitled (Blue, White and Red Panels), 2025

Gel-coated fiberglass polyester

49 ⅝ × 196 ⅞ × 5 ⅞ in

126 × 500 × 15 cm

D'Ette Nogle

Mallet, 2020

Mallet

2 × 10 ⅜ × 3 ⅛ in

5 × 26.5 × 8 cm

Megan Plunkett

Moon Money (51 02), 2025

Inkjet print on Canson Platine Rag, wood frame

6 ¼ × 11 ¾ in

15.8 × 29.8 cm

Edition of 2 plus 1 artist's proof

Sofia Defino Leiby

Insight, 2026

Collage on panel, watercolor

15 ¾ × 11 ¾ in

40 × 30 cm

Megan Plunkett

Moon Money (51 01), 2025

Inkjet print on Canson Platine Rag, wood frame

9 ⅝ × 12 ⅝ in

24.5 × 32.1 cm

Edition of 2 plus 1 artist's proof

Kayode Ojo

Silver (Dallas) II, 2018

Framed archival pigment print

16 ½ × 13 ½ in

42 × 34 cm

Edition of 3 plus 1 artist's proof

Friedemann Heckel

Fest, 1949, 2023

Watercolor on paper in stained maple frame

54 ⅜ × 86 in

138.1 × 218.6 cm

Kayode Ojo

Vaterdrum, Mutterdrum, Michdrum, 2021

SONGMICS Heavy Duty Clothes Rack Coat Rack on Wheels (2), Floor Standing Sign Holder - Single Tier Chrome, Pearl CRB524P C730 Crystal Beat Fusion Shell Drum Set Acrylic, Liberty Imports Heavy Duty Diecast Metal Stainless Steel Handcuffs with Keys Bulk Party Favors for Police Kids Role Play (6), The Glass Cage by Georges Simenon

Installation dimensions variable

Marina Grize

Strange Power, 2026

Dye sublimation print, cast aluminum, gatorboard, steel hardware

8 × 6 in

20.5 × 15 cm

D'Ette Nogle

Banner (The Girl - Hair in Wind), 2020

Vinyl banner

50 × 91 ⅜ in

127 × 232.2 cm

Edition of 2 plus 1 artist's proof

Marina Grize

Bathers 21 (Jean), 2024

Dye diffusion transfer print, glass, artist’s frame

8 ¼ × 6 ¼ in

21 × 16 cm

D'Ette Nogle

Crib to Casket (Peanuts, Penthouse, Playboy, Playgirl), 2026

Annual calendars, 1974 to present

Dimensions variable

This ongoing work consists of 53 calendars from 1974 to 2026, one for each year of the artist’s life so far. Each annual calendar has been published by either Penthouse, Playboy, Playgirl (three icons of American erotica), or the Peanuts, featuring the characters of Charles Schultz’s classic cartoon. Every day of each calendar since D’Ette’s birth has been stamped with an American flag.

Luzie Meyer

Ambiguity Tolerance, 2022

C-print in artist's frame

13 ¾ × 15 ⅜ in

35 × 39 cm

Constantin Thun

Untitled, no date

19 ¾ × 27 ½ in

50 × 70 cm

Luzie Meyer

When falsehood can look so like the truth, who can assure themselves of certain happiness?, 2019

Acrylic paint, clay, glue, human hair, fabric, metal wire, wood

Dimensions variable

Megan Plunkett

Dissemblancer 05, 2020–2026

Inkjet print on Canson Platine Fibre Rag paper, black wooden frames

30 × 30 in

76.2 × 76.2 cm

Edition of 2 plus 1 artist's proof

Carol Rhodes

Sheds, 2013

Pencil on paper

17 ¾ × 20 ⅛ in

45 × 51 cm

Marina Grize

Bathers 55 (Sergio), 2025

Dye diffusion transfer print, glass, artist’s frame

10 × 8 in

25.5 × 20.5 cm

Luzie Meyer

unidentified III, 2020

Framed c-print

9 ½ × 11 ¾ in

24 × 30 cm

D'Ette Nogle

Articulated Mannequin as Chris Burden on Volkswagen, 1974, 2025

Polypropylene mannequin on stand

66 ⅛ × 63 × 48 ⅜ in

168 × 160 × 123 cm

Sofia Defino Leiby

Silent Protagonist, 2022

Carbon transfer, graphite, watercolor, acrylic on linen

11 ¾ × 15 ¾ in

30 × 40 cm

Megan Plunkett

Dirty, Dirty 14, 2023–2024

Inkjet print on matte paper, mounted on black foamcore

6 ⅛ × 3 ¾ × ½ in

15.5 × 9.4 × 1.3 cm

Constantin Thun

You think it will never happen to you, that it cannot happen to you, that you are the only person in the world to whom none of these things will ever happen, and then, one by one, they all begin to happen to you, in the same way they happen to everyone else,, 2020

Materials variable

Installation dimensions variable

Sofia Defino Leiby

Dolls Museum II, 2026

Collage, oil on wood artist panel

9 ⅞ × 15 in

25 × 38 cm

Friedemann Heckel

Pferd, 1942, 2023

Watercolor on paper in stained maple frame

52 ¼ × 47 ½ in

132.7 × 120.7 cm

Bill Walton

Small Sculpture (#1), no date

Wood, lead

3 ¼ × 2 ¼ × 2 in

8.3 × 5.7 × 5.1 cm

Constantin Thun

Untitled (The Painted House, projecting roofs at Hotel San Francesco al Monte Naples, empty space at Noah’s Ark, Everything is important meme, Untitled (Predator Drone), Katsura imperial villa), 2019

150 sheets of transparent foil

11 ¾ × 8 ¼ × ¾ in

29.7 × 21 × 2 cm

Sofia Defino Leiby

Anagram, 2022

Solvent transfer and pencil on paper

24 ⅜ × 32 ¼ in

62 × 82 cm

Valentina Triet

Caress, 2021

C-print

18 ⅞ × 18 ⅞ in

48 × 48 cm

Edition of 2 plus 2 artist's proofs

Luzie Meyer

unidentified II, 2020

Framed c-print

11 ¾ × 9 ½ in

30 × 24 cm

Marina Grize

Bathers 10 (Iris), 2023

Dye diffusion transfer print, glass, artist’s frame

8 ¼ × 6 ¼ in

21 × 16 cm

Morgan Canavan

Without audience, stressed internally, 2020

Plexiglas, pigmented resin, stainless steel

5 ¾ × 1 ⅛ × 5 ⅞ in

14.5 × 3 × 15 cm

Morten Knudsen

To huller en himmel, 2026

Oil, acrylic, wax, canvas

51 ⅛ × 52 ⅜ in

130 × 133 cm

Luzie Meyer

If all is questioned, what’s left?, 2022

Pinhole camera photograph in artist's frame

22 ⅛ × 18 ⅞ in

56 × 48 cm

Alexandre Khondji

Triple Insert, 2025

Endoscopic camera, KVM console

Installation dimensions variable

From each KVM console, one wire leading into the wall is a light; the second wire is an endoscopic camera. The camera relays a live video feed, which is displayed on the console's monitor.

Friedemann Heckel

Untitled (Instagram Aquarell #7), 2017

Watercolor on paper

52 ¼ × 47 ½ in

132.7 × 120.7 cm

Friedemann Heckel

Interior II, 2025

Watercolor on paper, various found objects on wooden backdrop

15 ¾ × 19 ¾ × 4 in

40 × 50 × 10 cm

Jesse Stecklow

Ear Wiggler, 2016

Dried corn, drawing, aluminum, duct fan parts, powder coated aluminum, wood, hardware, cables

13 × 18 × 10 ½ in

33 × 45.7 × 26.7 cm

Christopher Aque

Growth (Canal), 2022

UV-C exposed gum bichromate print on paper in acrylic frame with linen passe-partout

20 ⅛ × 14 ¾ × 1 ⅜ in

51 × 37.5 × 3.6 cm

Edition of 3 plus 1 artist's proof

Megan Plunkett

Signs and Wonders 08, 2022

Inkjet print in aluminum frame

9 ¼ × 7 ⅞ in

23.5 × 20 cm

Edition of 2 plus 1 artist's proof

Bill Walton

Spring Crate, no date

Concrete, iron, wood, tin

5 ¾ × 8 ⅝ × 15 ½ in

14.6 × 21.9 × 39.4 cm

Jesse Stecklow

Ear Wiggler (Metronome Light), 2021

Paper, MDF, hardware, warm and cool corncob light bulbs, glass, sockets, enclosure, timer, chrome-painted straw

13 × 18 × 13 in

33 × 46 × 33 cm

Constantin Thun

Monte Cassino corners VII, 2009

Fujiflex print, artist frame

15 × 12 ⅜ in

38 × 31.5 cm

Megan Plunkett

The Door and The Way 03, 2023

Inkjet print on glossy, metallic paper, mounted on black foamcore

5 ¾ × 3 ¼ × ½ in

14.6 × 8.4 × 1.3 cm

Jesse Stecklow

Cornspearacy, 2022

High fructose corn syrup, Avon Golden Harvest Hand Lotion bottles, glass, UV print on acrylic, corian, springs

13 × 18 × 11 in

33 × 46 × 28 cm

Luzie Meyer

I was indulging in waking dreams, which had for their subject the formation of a succession of imaginary incidents., 2019

C-print in artist's frame

12 ¾ × 14 ¾ × 1 ¾ in

32.5 × 37.5 × 4.5 cm

Monika Baer

loose change 2, 2021

Watercolor, coin and saw blade segment on paper

25 × 20 ⅞ in

63.5 × 53 cm

Jesse Stecklow, Hanna Stiegeler

Paris Internationale

Luzie Meyer featured in Flash Art

The Sound of Broken Eggshells

by Tabea Marschall

D'Ette Nogle, Let it R.I.P. reviewed in Artforum

No More Broth: D'Ette Nogle's R.I.P. for America

by Gracie Hadland

Sweetwater now represents Morten Knudsen

On View, Upcoming

Megan Plunkett

Terminal Piece

Jesse Stecklow, Hanna Stiegeler

Paris Internationale

Exhibitions Elsewhere

Bill Walton

A Form of Honesty

Megan Plunkett

Terminal Piece

Alexandre Khondji

Wo ich wohne

Kayode Ojo

The World Seen Anew

Kayode Ojo

Long Story Short

Artworks

Artworks