On View

Megan Plunkett

Terminal Piece

Group Exhibition

June 20, 2026 to February 7, 2027

Museum moderner Kunst Stiftung Ludwig Wien (mumok), Vienna, Austria

Bill Walton

A Form of Honesty

Solo Exhibition

October 29, 2026 to January 24, 2027

Studio Voltaire, London, United Kingdom

Kayode Ojo

Offsite Presentation

October 20, 2026 to November 8, 2026

Silencio, Paris, France

Exhibitions Elsewhere

Bill Walton

A Form of Honesty

Solo Exhibition

October 29, 2026 to January 24, 2027

Studio Voltaire, London, United Kingdom

Kayode Ojo

Offsite Presentation

October 20, 2026 to November 8, 2026

Silencio, Paris, France

Sofia Defino Leiby

Minor Ruptures

Group Exhibition

October 16, 2026 to November 7, 2026

Rosegarden, Berlin, Germany

Kayode Ojo

Pornographie

Group Exhibition

October 15, 2026 to November 20, 2026

Galerie Carole Lambert, Paris, France

Alexandre Khondji

Alexandre Khondji, Peng Zuqiang

Two-person Exhibition

October 8, 2026 to November 26, 2026

spare room, Paris, France

Megan Plunkett

Terminal Piece

Group Exhibition

June 20, 2026 to February 7, 2027

Museum moderner Kunst Stiftung Ludwig Wien (mumok), Vienna, Austria

Kayode Ojo

The World Seen Anew

Group Exhibition

June 5, 2026 to November 30, 2026

FOLTA Collection, Wrocław, Poland

Kayode Ojo

Long Story Short

Group Exhibition

October 23, 2025 to January 31, 2027

Museum Brandhorst, Munich, Germany

Artworks

Morten Knudsen

Grey, 2023

Oil, ink, wax, polyester

34 ½ × 34 ¾ in

88 × 88.5 cm

Morten Knudsen

Mouth of a beast (1), 2024

Oil, wax on canvas

49 ¼ × 45 ¼ in

125 × 115 cm

D'Ette Nogle

55 Baseball Bats, 2026

Wooden baseball bats

Dimensions variable

Ladders and building materials form an ad hoc scaffold across the Gartensaal (Garden Hall). A table rests on the scaffold’s planks. 250 wooden birds, modeled after a decorative stenciled motif the artist viewed at the Städtisches Museum (Municipal Museum) Braunschweig, are densely scattered throughout the room, along with 250 blank metallic buttons (reminiscent of I Voted pins), and 55 wooden baseball bats. A simple wooden structure the size of a typical US refrigerator houses two stacked European refrigerators, like those commonly found in shared kitchens in Germany – or, in this case, at the Kunstverein Braunschweig. One contains a cake from a local bakery. In observance of the US’s semiquincentennial, the Gartensaal has spun out of control, leaving little room to move.

Jesse Stecklow

Collar (ear anon), 2020

Anonymous ear scan, silkscreen on corn fabric, fusing, thread, flexible display

14 × 5 × 2 ½ in

36 × 13 × 6 cm

Megan Plunkett

Big Shot (Human), 2023

Inkjet print on matte paper mounted on foamcore, spit

8 ⅛ × 4 ½ × ½ in

20.5 × 11.4 × 1.3 cm

Christopher Aque

Resistance, 2025

Incandescent lamps, aluminum, resistors

Dimensions variable

Left

Stephen Lichty

Ideomotor Drawing with Isabel Casso, 2019

Carbon transfer on Dura-Lar

8 ½ × 11 in

21.6 × 27.9 cm

Right

Stephen Lichty

Ideomotor Drawing with Lucas Casso, 2019

Carbon transfer on Dura-Lar

8 ½ × 11 in

21.6 × 27.9 cm

Marina Grize

Double, 2026

Direct positive silver gelatin print, dye sublimation print, cast aluminum, conservation glass, steel hardware

8 × 6 in

20.5 × 15 cm

D'Ette Nogle

FATHER DAUGHTER MAKER, 2026

HD video

62 minutes, 32 seconds

The final work in the exhibition takes the form of a program in three parts: invocation, notes, and benediction. Nogle uses two depictions, The Last Temptation of Christ (Scorsese, 1988) and The Passion of the Christ (Gibson, 2004) as a visual ground for considering how narratives of Christianity are used as an ideological foundation upon which individuals and states act. Nogle’s voice, acting as a clone, a prophet, and a musician delivers a network of thematic strands, winding through the entirety of Let it R.I.P.

Sofia Defino Leiby

Löwenzahn/Dandelion, 2022

Pine, plexiglass, canvas, paper, preserved flowers

34 ¼ × 27 ½ × 70 ⅞ in

87 × 70 × 180 cm

Luzie Meyer

Oh, praise the eternal justice of man!, 2019

C-print in artist's frame

12 ¾ × 14 ¾ × 1 ¾ in

32.5 × 37.5 × 4.5 cm

Marina Grize

Bathers 41 (Jan), 2024

Dye diffusion transfer print, glass, artist’s frame

10 × 8 in

25.5 × 20.5 cm

Marina Grize

Bathers 53 (Sangailė II), 2025

Dye diffusion transfer print, glass, artist’s frame

8 ¼ × 6 ¼ in

21 × 16 cm

Sofia Defino Leiby

Privacy screen, 2021

Enamel, nail polish, and collage on panel

10 ⅜ × 7 ⅞ in

26.5 × 20 cm

D'Ette Nogle

Candy Bomber, 2020

Pot metal

33 ⅛ × 25 ¼ × 18 ¼ in

84 × 64 × 46.5 cm

Christopher Aque

Lilac (Autumnal), 2025

UV-C exposed gum bichromate print on paper in acrylic and linen frame

32 ⅛ × 25 ¼ × 1 ¾ in

81.5 × 64 × 4.5 cm

Edition of 2 plus 1 artist's proof

Morten Knudsen

Ash and mud, 2024

Oil, wax, glue, adhesive stock, paper on canvas

59 × 79 in

150 × 200.5 cm

Sofia Defino Leiby

Alles wie Immer, 2025

Mixed media on wood panel

19 ¾ × 15 ¾ in

50 × 40 cm

Constantin Thun

Untitled (Cabin,), no date

Fujiflex print, artist’s frame

27 ⅛ × 22 ½ in

69 × 57 cm

Es fällt ein Ei zum Himmel, 2021

Four model buildings

Installation dimensions variable

Marina Grize

Starburst, 2026

Dye sublimation print, cast aluminum, steel hardware

10 × 8 in

25.5 × 20.5 cm

Kayode Ojo

Reaching Out (AU), 2017

Framed archival pigment print

13 ½ × 16 ½ in

34 × 42 cm

Edition of 3 plus 1 artist's proof

Gaby Sahhar

Innit, 2019

Graphite on paper

59 ⅛ × 63 in

150 × 160 cm

Marina Grize

Bathers 3 (Atafeh, Shireen), 2023

Dye diffusion transfer print, glass, artist’s frame

8 ¼ × 6 ¼ in

21 × 16 cm

Sofia Defino Leiby

Jacqueline (Creativeworld I), 2019

Watercolor and pencil on linen

16 ¾ × 19 ¾ in

42.5 × 50 cm

Hanna Stiegeler

Patterns, 2022

Gouache screenprint in aluminum frame

46 × 37 ⅜ in

117 × 95 cm

Kayode Ojo

Show 'Em What's Underneath, 2018

Sony Trinitron Color TV KV-13TR28, white bedside table, HD video

40 × 14 ½ × 20 in

102 × 37 × 51 cm

42 seconds, looped

Edition of 2 plus 1 artist's proof

Sofia Defino Leiby

Boomerang, 2022

Inkjet print and gouache on panel

10 ⅞ × 8 ⅛ in

27.5 × 20.5 cm

Kayode Ojo

Reaching Out (BE), 2018

Framed archival pigment print

13 ½ × 16 ½ in

34 × 42 cm

Edition of 3 plus 1 artist's proof

Tobias Hohn & Stanton Taylor

Non-Fiction (Everything makes sense), 2024

Folded aluminium, acrylic glass, stainless steel rod, LED lights, PVC angle profiles, glitter fabric, polypropylene foil, PVC foil, cardboard letter, phosphorescent spray paint, miniature ceramic bricks, expanded aluminium mesh, perforated aluminium plate, acrylic box, paper, photo prints on projector foil, aluminium sheeting, aluminium bars, foamcore, polystyrene mirror tiles, safety reflectors, polypropylene multi-wall sheet, mirror foil, pins, steel angle brackets, transparent model figures, silicone, goose feathers

35 ⅜ × 11 ¾ × 5 ⅞ in

90 × 30 × 15 cm

Kayode Ojo

When I stopped climbing trees, 2022

Glory Closed Hole Flute With Case, Tuning Rod and Cloth, Joint Grease and Gloves Nickel-Silver, RHINESTONE JEWELRY Fringe Hoop Earrings, Paxcoo 30 Pack Necklace Jewelry Chain Bulk Silver Snake Chain Necklace for Jewelry Making, S925 Sterling Silver Long Chain Sweater Necklace for Women Statement Large Pendant Fringe Necklaces Floral

60 × 67 × 3 in

152.4 × 170.2 × 7.6 cm

Devin T. Mays

At rest, weight, 2024

Stool, duct tape, and rock

28 × 13 × 13 in

71.1 × 33 × 33 cm

Constantin Thun

Untitled, no date

19 ¾ × 27 ½ in

50 × 70 cm

Christopher Aque

Growth (Oxeyes), 2022

UV-C exposed gum bichromate print on paper in acrylic frame with linen passe-partout

20 ⅛ × 14 ¾ × 1 ⅜ in

51 × 37.5 × 3.6 cm

Edition of 3 plus 1 artist's proof

Alexandre Khondji

Untitled (Blue, White and Red Panels), 2025

Gel-coated fiberglass polyester

49 ⅝ × 78 ¾ × 5 ⅞ in

126 × 200 × 15 cm

Morten Knudsen

Untitled, 2024

Oil, wax, glue, adhesive stock on canvas

59 × 58 ⅝ in

150 × 149 cm

Kayode Ojo

the silent flight of an owl, 2024

Melissa & Doug Mine to Love Wooden Play Armoire Closet for Dolls, Stuffed Animals - White - Wooden Pretend Play Closet, Doll Wardrobe, ZARA SEKTFLÖTE KRISTALLGLAS GERADE, Liberty Imports Heavy Duty Toy Metal Handcuffs with Keys - 6 PACK Stainless Steel Bulk Fake Hand Cuffs Accessories Supplies Party Favors, mirror

33 ⅞ × 12 ⅜ × 8 ½ in

86 × 31.5 × 21.6 cm

Marina Grize

Bathers 12 (Eva), 2023

Dye diffusion transfer print, glass, artist's frame

8 ¼ × 6 ¼ in

21 × 15.9 cm

Megan Plunkett

Signs and Wonders 06, 2022

Inkjet print in aluminum frame

7 ⅞ × 9 ¼ in

20 × 23.5 cm

Edition of 2 plus 1 artist's proof

Luzie Meyer

Simultan (duplicitous consent), 2019

HD Video

12 minutes, 59 seconds

Edition of 4 plus 1 artist's proofs

Rhea Dillon

Two Tears in/to Home, 2022

Oil on canvas

18 × 12 in

45.7 × 30.5 cm

Kayode Ojo

Censuré (Roses, Berlin, DE), 2021

C-print in polished aluminum frame

27 ⅛ × 40 ½ × 1 ⅝ in

69 × 103 × 4 cm

Edition of 3 plus 1 artist's proof

Pati Hill

Untitled (White Gloves), 1976

Xerograph

8 ½ × 13 ⅞ in

21.6 × 35.3 cm

Bettina

Phenomenological New York, 1975

Three silver gelatin prints, printed and mounted by the artist

5 ½ × 14 in

14 × 35.6 cm

Alexandre Khondji

Double Insert, 2026

Installation dimensions variable; each monitor:

17 ⅜ × 25 ¼ × 2 in

44 × 64 × 5 cm

From each KVM console, one wire leading into the wall is a light; the second wire is an endoscopic camera. The camera relays a live video feed, which is displayed on the console's monitor.

Jesse Stecklow

Database (Empty), 2022

Empty data set, silkscreen on paper, MDF, hanger studs

13 × 18 × 3 ½ in

33 × 46 × 9 cm

Megan Plunkett

Attitudinal Beliefs 02, 2024

Inkjet print on metallic luster paper, mounted on black foamcore

6 × 3 ¼ × ½ in

15.2 × 8.3 × 1.3 cm

Luzie Meyer

Confusion of Cause and Effect, 2022

Offset print in artist's frame

24 ⅝ × 34 ⅝ in

62.5 × 88 cm

Edition of 4 plus 1 artist's proof

Megan Plunkett

Dissemblancer 08, 2020–2026

Inkjet print on Canson Platine Fibre Rag paper, black wooden frames

45 × 40 in

114.3 × 101.6 cm

Edition of 2 plus 1 artist's proof

Gaby Sahhar

Back Blown Out, 2019

Oil crayon on paper

59 ⅛ × 70 ½ in

150 × 179 cm

Jesse Stecklow

From Ear to Ear, 2019

Ear of corn, corn whisky (derived from corn), acetic acid (derived from corn alcohol), ear drops (containing acetic acid), air sampler data, silkscreen on paper, wood, glue

dimensions variable

Luzie Meyer

shrewd pretending a fair face, 2022

C-print in artist's frame

10 ⅛ × 8 ⅛ in

25.6 × 20.6 cm

Kayode Ojo

Censuré (Cigar, Private Club, Köln, DE), 2019

C-print in polished aluminum frame

27 ⅛ × 40 ½ × 1 ⅝ in

69 × 103 × 4 cm

Edition of 3 plus 1 artist's proof

Friedemann Heckel

Provisions, 2024

Watercolor on paper in stained maple frame

57 ⅛ × 44 ½ in

145 × 113 cm

Friedemann Heckel

Flowers on Kantstrasse, 2024

Watercolor on paper in stained maple frame

64 ⅛ × 47 ¼ in

163 × 120 cm

Marina Grize

Bathers 82 (Anto), 2025

Dye diffusion transfer print, glass, artist's frame

10 × 8 in

25.4 × 20.3 cm

Marina Grize

Think back through our Mothers 1967/1961 (Black Cat Riots; Martha Dobie), 2024

Dye diffusion transfer print, cast aluminum, museum rag, conservation board, hardware

8 × 6 in

20 × 15 cm

Marina Grize

Bathers 20 (Elisabet), 2023

Dye diffusion transfer print, glass, artist’s frame

10 × 8 in

25 2/5 × 20 cm

Marina Grize

Feeling Backward (Orpheus), 2025

Dye diffusion transfer print, conservation glass, aluminum plate, zinc, pewter

10 ¼ × 8 ¼ in

26 × 21 cm

Morten Knudsen

E is for everything 2/2, 2026

Cardboard, foam board, pencil, needles, MDF, plexiglass

19 ¾ × 29 ½ in

50 × 75 cm

Morten Knudsen

Untitled, 2023

Oil, wax, foam board, MDF, plexiglas

25 ½ × 27 ¼ × 2 ½ in

65 × 69 × 6 cm

Morten Knudsen

E is for everything 2/12, 2024

Pencil on canvas

15 ¾ × 19 ¾ in

40 × 50 cm

Morten Knudsen

SIX DAYS and SIX NIGHTS (2020) 2/12, 2020

Acrylic, synthetic paper, aluminum, contact glue

45 ¾ × 44 in

116.5 × 112 cm

D'Ette Nogle

Dresses 3, 1996

Framed silver gelatin print

13 ⅞ × 10 ⅝ in

35.2 × 27 cm

Constantin Thun

Monte Cassino corners V, 2009

Fujiflex print, artist frame

15 × 12 ⅜ in

38 × 31.5 cm

Hanna Stiegeler

3042686962 (1), 2023

Inkjet print with acrylic on paper

12 × 8 ⅝ in

30.5 × 22 cm

Megan Plunkett

Dissemblancer 12, 2020–2026

Inkjet print on Canson Platine Fibre Rag paper, black wooden frames

50 × 40 in

127 × 101.6 cm

Edition of 2 plus 1 artist's proof

Marina Grize

Bathers 44 (Lydia), 2024

Dye diffusion transfer print, glass, artist’s frame

10 × 8 in

25.5 × 20.5 cm

Friedemann Heckel

prop I, 2025

Watercolor on paper

9 ⅞ × 12 ¾ in

33 × 25 cm

Jesse Stecklow

Database (Case Narrative), 2022

Silkscreen on paper, candles, MDF

13 × 18 ⅛ × 3 ½ in

33 × 46 × 9 cm

Luzie Meyer

I was required to exchange chimeras of boundless grandeur for realities of little worth., 2019

C-print in artist's frame

26 ⅝ × 22 ¼ × 1 ¾ in

67.5 × 56.5 × 4.5 cm

Constantin Thun

Untitled (clipboard, Delia’s Osiris Gate II, Monument to Sandro Pertini, orario di lavoro sign, shape of gutta, dress for a perfume vial), 2019

150 sheets of transparent foil

11 ¾ × 8 ¼ × ¾ in

29.7 × 21 × 2 cm

Marina Grize

Bathers 7 (Nina), 2023

Dye diffusion transfer print, glass, artist's frame

6 ¼ × 8 ¼ in

21 × 15.9 cm

Gaby Sahhar

Ties that bind, 2019

Graphite and ink on paper

12 ½ × 9 ½ in

31.8 × 24.1 cm

Christopher Aque

Raspberry (Estival), 2025

UV-C exposed gum bichromate print on paper in acrylic and linen frame

25 ¼ × 25 ¼ × 1 ¾ in

64 × 64 × 4.5 cm

Edition of 2 plus 1 artist's proof

Kayode Ojo

just laid everything out on the table, 2022

Chandelier, mirrors, Crate&Barrel Edge Champagne Glasses

100 × 32 × 40 in

254 × 81.3 × 101.6 cm

Jesse Stecklow

Dog Ear, 2023

"Terminal" exhibition catalogue, fossilized whale’s inner ear bones, slide-bolt latches, hardware, epoxy, paper, MDF

13 × 18 × 4 in

33 × 46 × 10 cm

Constantin Thun

Oracle,, no date

Cherry wood

13 ¼ × 24 ⅜ × 9 in

33.5 × 62 × 23 cm

Megan Plunkett

The Crawling Key 02, 2023

Inkjet print on glossy, metallic paper mounted on foamcore

6 × 3 ⅝ × ½ in

15.2 × 9.1 × 1.3 cm

Marina Grize

Bathers 27 (Annabelle), 2023

Dye diffusion transfer print, glass, artist’s frame,

8 ¼ × 6 ¼ in

21 × 16 cm

Helene Appel

Grey Envelope, 2023

Acrylic and watercolor on linen

6 ¼ × 4 ⅜ in

16 × 11 cm

Kayode Ojo

Reaching Out (IT), 2016

Framed archival pigment print

13 ½ × 16 ½ in

34 × 42 cm

Edition of 3 plus 1 artist's proof

Constantin Thun

Untitled (Cabin,), no date

Fujiflex print, artist’s frame

27 ⅛ × 22 ½ in

69 × 57 cm

Christopher Aque

Transmission, 2018

FM transmitter, computer, and custom-programmed single-channel FM radio with anodized aluminum, painted steel, acrylic, mesh, and glass

50 × 9 ½ × 4 ¾ in

127 × 24 × 12 cm

Luzie Meyer featured in Flash Art

The Sound of Broken Eggshells

by Tabea Marschall

D'Ette Nogle, Let it R.I.P. reviewed in Artforum

No More Broth: D'Ette Nogle's R.I.P. for America

by Gracie Hadland

On View

Megan Plunkett

Terminal Piece

Bill Walton

A Form of Honesty

Kayode Ojo

Exhibitions Elsewhere

Bill Walton

A Form of Honesty

Kayode Ojo

Sofia Defino Leiby

Minor Ruptures

Kayode Ojo

Pornographie

Alexandre Khondji

Alexandre Khondji, Peng Zuqiang

Megan Plunkett

Terminal Piece

Kayode Ojo

The World Seen Anew

Kayode Ojo

Long Story Short

Artworks

Artworks