Marina Grize
*1987, United States
Lives and works in Philadelphia, PA, United States
Biography
Marina Grize’s practice examines portrayals of sexuality in media, foregrounded in feminist and queer cultural histories. Working primarily with appropriated images translated through photographic processes, Grize unearths delicate moments of sensuality and tension, where touch, presence, and loss are hinted at, mirrored, or occluded.
Grize (*1987, United States) lives and works in Philadelphia. Her first solo exhibition with Sweetwater will take place in 2026. Grize’s work has been included in exhibitions at Sweetwater, Margot Samel, Adams and Ollman, and ICA San Diego. She received a BFA from SUNY Purchase.
Exhibitions

The hill is getting lower. Or so it seems.
Helene Appel, Tolia Astakhishvili, Florence Carr, Jef Geys, Lenard Giller, Marina Grize, Pati Hill, Sofia Defino Leiby, Stephen Lichty, Devin T. Mays, Megan Plunkett, Tobias Hohn & Stanton Taylor, Constantin Thun, Bill Walton, Marina Xenofontos
February 1, 2024 to March 23, 2024
Leipziger Straße 56-58, Berlin, Germany
Artworks

















Curriculum Vitae
Education
| 2013 | BFA, State University of New York, Purchase, NY, United States |
Selected Solo and Two-Person Exhibitions
| 2026 | Divine icons roam as lens, Sweetwater, Berlin, Germany |
| 2025 | In-Between Touch, Adams and Ollman, Portland, OR, United States |
| Marina Grize, Friedemann Heckel, Sweetwater at S& Projects, New York, NY, United States |
Selected Group Exhibitions
| 2026 | Marina Grize, Ditta Baron Hoeber, and Olivia Jia, Margot Samel at Kendall Koppe, Glasgow, United Kingdom |
| 2025 | small sculptures, sharp projects, Copenhagen, Denmark |
| 2024 | The hill is getting lower. Or so it seems., Sweetwater, Berlin |
| 2023 | 31st Annual Juried Exhibition, Atheneum, San Diego, CA, United States |
| 2020 | Fifth Anniversary, Teros Gallery, San Diego, CA, United States |
| Broadcasts, Virtual / SPACE, Portland, OR, United States | |
| 2019 | You Could Have Gone to Heaven, SWISH Projects, San Diego, CA, United States |
| Familiar, Weird Hues, Chula Vista, CA, United States | |
| Grey Matter, A Ship in the Woods, Escondido, CA, United States | |
| Games Without Frontiers, Southwestern College Gallery, Chula Vista, CA, United States | |
| 2018 | Dreams and Dreamers, The Front Arte Cultura, San Ysidro, CA, United States |
| Alternative Projections, Bread & Salt, San Diego, CA, United States | |
| 2017 | Talk Talk, A Ship in the Woods, Escondido, CA, United States |
| dense.af, Liberty Station, San Diego, CA, United States | |
| Millennial Pink, ICA SD, San Diego, CA, United States | |
| Diverge/Convene, ICA SD, San Diego, CA, United States | |
| Southern California and Baja Biennial, ICA SD, San Diego, CA, United States | |
| 2016 | Thunder In Our Hearts, Noysky Projects, Los Angeles, CA, United States |
| 2015 | (Con)Text: Rethinking Language in Art, ICA SD, San Diego, CA, United States |



