October 19, 2026 to October 24, 2026
Paris, France
July 30, 2026
July 21, 2026
May 21, 2026
Newsletter
Bettina
Phenomenological New York, 1972–1986
Silver gelatin print
9 ¾ × 6 ¼ in
24.8 × 15.9 cm
Rhea Dillon
Whims, Yearnings and Antipathies, 2023
Collated woods, brass and nail
36 × 1 ⅜ × 1 ¾ in
91.5 × 3.5 × 4.5 cm
Marina Grize
Bathers 49 (Abigail), 2025
Dye diffusion transfer print, glass, artist’s frame
5 × 4 in
13 × 10 cm
Constantin Thun
Providence,, no date
Cherry wood
13 ¼ × 24 ⅜ × 9 in
33.5 × 62 × 23 cm
Jesse Stecklow
Untitled (four sound stages), 2015
Box lids, cumin seed oil, steel, speakers, tuning fork, neoprene tubing, 4-channel sound (15:02, looped)
Four boxes, each:
15 ¾ × 9 ½ × 6 ¾ in
40 × 24 × 17 cm
Untitled, no date
92 ½ × 5 ⅞ in
235 × 15 cm
Luzie Meyer
What lies, straight ahead, 2022
Pinhole camera photograph in artist's frame
22 ⅛ × 18 ⅞ in
56 × 48 cm
Niklas Taleb
1996 IV, 2021
Digital c-print, artist's frame
28 × 41 ⅜ in
71 × 105 cm
Edition of 3 plus 1 artist's proof
Sofia Defino Leiby
Morning Routine 2, 2021
Silkscreen ink, oil, acrylic, watercolor, pigment, graphite, and carbon pigment on Alu-Dibond
13 ¾ × 19 ¾ in
35 × 50 cm
Under Lock and Key, 2024
Terminal exhibition catalogue, Monsanto facility padlock and keys, steel padlock keepers, vellum, paper, MDF
13 × 18 × 3 in
33 × 45.7 × 7.6 cm
Farah Al Qasimi
Dragon Mart Curtain Shop, 2019
Vinyl wall application
variable dimensions
Edition of 2 plus 1 artist's proof
Kayode Ojo
Tenet (Paris), 2021
Designer glass table by Milo Baughman original 1970s oval, Comme des Garçons Mini Briefcase Silver, Comme des Garçons Mini Briefcase Black, Revolver Automatic injection Glass Barrel Luer-Locks 50 ML for All Livestock, Minox C Miniature camera Camera Spycamera Camera - 15mm 1:3.5 Optic, Minox CLX unfinished factory defect for hobbyist
36 ¼ × 78 ¾ × 31 ½ in
92 × 200 × 80 cm
Alexandre Khondji
Triple Insert, 2025
Endoscopic camera, KVM console
Installation dimensions variable
From each KVM console, one wire leading into the wall is a light; the second wire is an endoscopic camera. The camera relays a live video feed, which is displayed on the console's monitor.
Viel-Vitamin A-Z,, 2022
Embossing on Rives BFK paper
15 ½ × 16 ½ in
39.5 × 42 cm
Untitled (9:56:25), 2022
Clock parts, plate, acrylic, Carbograph 5 air samplers
14 × 14 × 4 in
35.6 × 35.6 × 10.2 cm
Cabin, 2020
oak
78 × 179 × 136 in
195 × 455 × 345 cm
Megan Plunkett
Signs and Wonders 02, 2022
Inkjet print in aluminum frame
7 ⅞ × 9 ¼ in
20 × 23.5 cm
Untitled (Cabin,), no date
Fujiflex print, artist’s frame
27 ⅛ × 22 ½ in
69 × 57 cm
Bill Walton
Small sculpture (#18), no date
Soap, lead
1 ¼ × 3 × 2 in
3.2 × 7.6 × 5.1 cm
Morten Knudsen
Sleeping tongue, 2024
Oil, wax, canvas
27 ½ × 24 in
70 × 61 cm
Pin Up Hang Up, 2020
Pen on handmade paper
15 ⅜ × 12 ⅝ in
39 × 32 cm
E is for everything 8/12, 2026
Pencil on canvas
33 ½ × 36 ⅝ in
85 × 93 cm
19 ¾ × 27 ½ in
50 × 70 cm
Corn Cage, 2023
Stainless steel wire, hanger studs, wire rope, dried corn, corian
13 × 18 × 10 in
33 × 46 × 25 cm
Moon Money (Dracula 02), 2024–2025
Inkjet print on Canson Platine Rag, wood frame
5 × 10 ½ in
12.6 × 26.6 cm
I was dependent on none, and related to none., 2019
C-print in artist's frame
12 ¾ × 14 ¾ × 1 ¾ in
32.5 × 37.5 × 4.5 cm
My dear, do not waste your time upon this; it is sad trash., 2019
Glass, copper frame
9 ⅛ × 9 ⅛ × 4 ⅜ in
23 × 23 × 11 cm
Hope Chest, 2023
Collage, chalk pastel, acrylic, and pencil on panel
19 ¾ × 15 ¾ in
50 × 40 cm
Spring Crate, no date
Wood, bronze
5 × 8 ½ × 8 ½ in
12.7 × 21.6 × 21.6 cm
Untitled (reverse bookshelf note, La Casa Del Genio, actress and stage, The Art Of Japanese Joinery, eigene Landkarten note, expectation/reflex architecture), 2019
150 sheets of transparent foil
11 ¾ × 8 ¼ × ¾ in
29.7 × 21 × 2 cm
Nina Porter
R5C3071124, 2024
C-type contact print and C-type negative in artist's frame
94 ½ × 5 ½ × ⅞ in
240 × 14 × 2.2 cm
Devin T. Mays
Untitled, 2024
Polaroid
4 ¼ × 3 ½ in
10.8 × 8.9 cm
Six Days and Six Nights 1/12, 2026
Aluminum, acrylic, glue, synthetic paper
44 ⅞ × 44 ⅞ in
114 × 114 cm
The Omissive Eye, 2022–2023
Inkjet print on glossy paper in aluminum frame
17 ⅜ × 23 ⅜ in
44 × 59.5 cm
Laurent Dupont
4x5 Ltr. PET, 2020
Acrylic on cardboard box
12 ¼ × 15 × 11 in
31 × 38 × 28 cm
Monte Cassino corners VIII, 2009
Fujiflex print, artist frame
15 × 12 ⅜ in
38 × 31.5 cm
Box Set, 2021
Corian, aluminium, chipboard, paper, UV print, ribbon and clips
12 × 27 × 15 in
30.5 × 68.6 × 38.1 cm
Room Box, 2022
Coated MDF, rubber, motor, aluminum, hardware, timer
6 ¼ × 17 ¾ × 7 in
15.9 × 45 × 17.8 cm
Helene Appel
Envelope, 2023
Acrylic and watercolor on cotton
8 ⅝ × 4 ⅜ in
22 × 11 cm
Moon Money (Florida 01), 2025
12 ⅝ × 17 ⅝ in
32.2 × 44.8 cm
Untitled (10:37:12), 2014
Clock parts, Carbograph 5 air samplers
11 ¾ × 11 ¾ × 3 in
30 × 29.8 × 7.6 cm
Christopher Aque
Flow, 2021
UV-C exposed gum bichromate print on paper in acrylic frame with linen passe-partout
20 ⅛ × 28 × 1 ⅜ in
51 × 71 × 4 cm
Unique
Dissemblancer 13, 2020–2026
Inkjet print on Canson Platine Fibre Rag paper, black wooden frames
45 × 40 in
114.3 × 101.6 cm
D'Ette Nogle
VW Beetle Monterey Rd., 2025
Video loop on monitor, no sound
9 seconds, looped
Cardboard box, assorted materials
18 × 14 × 3 in
45 × 34.5 × 8 cm
Hanna Stiegeler
6377BAL, 2026
Screenprint, gouache on paper
27 ½ × 39 ⅜ in
70 × 100 cm
1999/2513, 2026
Dresses 8, 1996
Framed silver gelatin print
13 ⅞ × 10 ⅝ in
35.2 × 27 cm
Dissemblancer 09, 2020–2026
HC
The Novelist, 2022
Wooden panels, champagne chalk, pigments, modular table frames, 2 tubular steel chairs "comeback 041" (L&C Stendal)
31 ⅛ × 55 ⅞ × 22 ⅞ in
79 × 142 × 58 cm
Reaching Out (US), 2015
Framed archival pigment print
13 ½ × 16 ½ in
34 × 42 cm
Signs and Wonders 10, 2022
9 ¼ × 7 ⅞ in
23.5 × 20 cm
Border Control (OOO, Venice), 2022
C-print in polished aluminum frame
13 ¾ × 20 ½ × 1 ⅛ in
35 × 52 × 3 cm
Flyover state, 2021
Amazing Hasselblad 500cm Camera Suitcase Case Briefcase 26"x 18.75"x 5.75", Clear Amac Boxes (8), Mirrors
35 ⅜ × 26 × 26 in
90 × 66 × 66 cm
B. Ingrid Olson
Mutter, Splinter (Plastic Back [with etui]), 2020
Mutter, Splinter (Plastic Back [with etui])
Two parts, installation dimensions variable
Max Schmidtlein
Untitled, 2020
Acrylic binder and charcoal on silk
19.5 × 43.5 in
50 × 110 cm
Silver (Dallas) III, 2018
16 ½ × 13 ½ in
42 × 34 cm
Joan of Arc (1948), 2023
Chromogenic Type-R print
24 × 20 in
61 × 51 cm
Think back through our Mothers 1993 (Lesbian Avengers Eat Fire Too; first NYC Dyke March), 2025
Dye diffusion transfer print, cast aluminum, museum rag, conservation board, hardware
8 × 6 in
20 × 15 cm
Bathers 16 (Mona), 2024
10 × 8 in
25 1/2 × 20 1/2 cm
SIX DAYS and SIX NIGHTS (2020) 8/12, 2020
Acrylic, synthetic paper, aluminum, contact glue
45 ¾ × 44 in
116.5 × 112 cm
Untitled, 2026
Oil, glue, adhesive tack, and wax on canvas
53 ¼ × 69 in
135 × 175 cm
His Dark Materials (Paradox), 2024
Virginia Black Decadent American Whiskey 0,7 ltr., Rare Vintage Citizen GN-4-S ANA-Digi Temp Men Wristwatch Japan Pre-owned, Prada PARADOXE, Polaroid SX-70 Original, Mirror
10 × 48 × 12 in
25.5 × 121.9 × 30.5 cm
250 Birds, 2026
Hand-stenciled and painted wood cutouts, wooden stands, velcro
Dimensions variable
Ladders and building materials form an ad hoc scaffold across the Gartensaal (Garden Hall). A table rests on the scaffold’s planks. 250 wooden birds, modeled after a decorative stenciled motif the artist viewed at the Städtisches Museum (Municipal Museum) Braunschweig, are densely scattered throughout the room, along with 250 blank metallic buttons (reminiscent of I Voted pins), and 55 wooden baseball bats. A simple wooden structure the size of a typical US refrigerator houses two stacked European refrigerators, like those commonly found in shared kitchens in Germany – or, in this case, at the Kunstverein Braunschweig. One contains a cake from a local bakery. In observance of the US’s semiquincentennial, the Gartensaal has spun out of control, leaving little room to move.
Andy Warhol
Valentine’s Day Ads (How to tell you’re having a heart attack), 1983
Synthetic polymer paint and silkscreen ink on canvas
14 × 11 in
35.5 × 28 cm
Valentine’s Day Ads (Heart Fund), 1983
Marlon Mullen
Untitled, 2016
Acrylic on canvas
18 × 36 in
46 × 91 cm
Shop by Concern, 2023
Paper, ribbon, silkscreen ink, acrylic, and spray paint on panel
23 ⅝ × 16 ½ in
60 × 42 cm
Euros, Private Club, Köln, 2019
Marina Xenofontos
Arriving at Always, 2022
MDF wood, silver leaf
23 ⅝ × 8 ⅝ × 5 in
60 × 21.9 × 12.7 cm
The Trout, 2018
SD Video
2 minutes, 11 seconds
Content Creation (AFT121702), 2019
Gouache screenprint on paper
41 ⅞ × 30 ⅛ in
106.5 × 76.3 cm
Cornspearacy, 2022
High fructose corn syrup, Avon Golden Harvest Hand Lotion bottles, glass, UV print on acrylic, corian, springs
13 × 18 × 11 in
33 × 46 × 28 cm
Embouchure (ˈlɪzoʊ), 2023
Glory Closed Hole C Flute With Case, Tuning Rod and Cloth, Joint Grease and Gloves Nickel Silver, WXJ13 Swivel Clasps Lanyard Snap Hook Lobster Claw Clasp and Keychain Rings, fifty-five (55) pieces
Overall dimensions variable
Vinyl paint, latex paint, polyurethane foam, MDF, PETG plastic, batting, plywood, screws
Two parts, dimensions variable
Metronome Light, 2022
Corian, electronics, bulbs, anagram
13 ½ × 9 ½ × 2 ¼ in
34.3 × 24.1 × 5.7 cm
Signs and Wonders 01 (The Home Mode), 2022
Ffaeces I, 2021
Polyester backing and foam
28 ¾ × 23 ¼ in
73 × 59 cm
Mr. Moneybags 01, 2025
Inkjet print on Canson Platine Rag paper
47 ½ × 35 ⅜ in
120.5 × 90 cm
Brutes des nuits II, 2026
78 × 78 in
198 × 198 cm
Birgit Jürgenssen
Interieurs, 1997–1998
Color photographs
20 ½ × 30 ⅛ in
52 × 76.5 cm
Gaby Sahhar
Ties that bind, 2019
Graphite and ink on paper
9 ½ × 12 ½ in
24.1 × 31.8 cm
Untitled (Black, Red and Gold Panels), 2026
Gel-coated fiberglass polyester
49 ⅝ × 196 ⅞ × 5 ⅞ in
126 × 500 × 15 cm
Morgan Canavan
With audience, stressed internally, 2020
Plastic, pigmented resin, stainless steel
2 ⅜ × 1 ⅛ × 2 ¾ in
6 × 3 × 7 cm
