July 30, 2026
July 21, 2026
Newsletter
Luzie Meyer
It is true, we shall be monsters, cut off from all the world; but on that account we shall be more attached to one another., 2019
C-print in artist's frame
12 ¾ × 14 ¾ × 1 ¾ in
32.5 × 37.5 × 4.5 cm
Kayode Ojo
Overdressed (Silver), 2019
Rachel Zoe Metallic-Fringe Sheath Dress, New Look Fluffy Faux Fur Collarless Jacket - Light gray / L, Crystal Chandelier Teardrop Prisms 50mm, Crystal Beads Clear Chandelier Bead Lamp Chain, Hamilton Stands KB400 Classic American Folding Sheet Music Stand (Chrome), K’ryssma Grey Lace Front Wigs for Women - Glueless Long Natural Straight T4503 Silver Gray Synthetic Wig Heat Resistant Replacement Full Wig (22 inch)
19 ¾ × 17 ¾ × 59 ⅛ in
50 × 45 × 150 cm
Constantin Thun
Intuition,, no date
Pine
55 ¼ × 21 ¼ × 2 in
140.5 × 54 × 5 cm
Friedemann Heckel
Untitled (Instagram Aquarell #32), 2019
Watercolor on paper
13 ⅝ × 10 ⅜ in
34.5 × 26.5 cm
Untitled (Instagram Aquarell #14), 2019
Megan Plunkett
Moon Money (Lucky Dollar Duo), 2025
Inkjet print on Canson Platine Rag, wood frame
10 ⅜ × 12 ⅝ in
26.3 × 32 cm
Edition of 2 plus 1 artist's proof
Pati Hill
Untitled (Petals), 1980
Xerograph
11 ¾ × 8 ¼ in
29.7 × 21 cm
B. Ingrid Olson
Mutter, Splinter (Plastic Back [with etui]), 2020
Vinyl paint, latex paint, polyurethane foam, MDF, PETG plastic, batting, plywood, screws
Two parts, dimensions variable
Christopher Aque
Lilac (Estival), 2025
UV-C exposed gum bichromate print on paper in acrylic and linen frame
32 ⅛ × 25 ¼ × 1 ¾ in
81.5 × 64 × 4.5 cm
Bill Walton
Spring Crate (Plywood), no date
Wood, iron, plywood, paint
8 ¾ × 8 ¼ × 23 ⅜ in
22.2 × 21 × 59.4 cm
Asha Schechter
Silver Dustpan with C's fur, shards, Mickey, litter, and a leaf, 2019
Inkjet print on adhesive vinyl
54 × 60 in
137 × 152 cm
Hanna Stiegeler
Curiosity Gap (Knowledge III), 2022
Gouache and pigment screenprint on paper
42 × 57 ¾ in
106.6 × 146.6 cm
The Crawling Key 05, 2023
Inkjet print on glossy, metallic paper mounted on foamcore
5 ½ × 3 × ½ in
14 × 7.6 × 1.3 cm
Will Sheridan Jr.
Sentences on tape, 2020
Tape, writing
Dimensions variable
D'Ette Nogle
Schrank A, 2026
Acrylic on canvas
19 ¾ × 22 ⅝ in
50 × 57.5 cm
"Schrank A" and "Schrank B" (both 2026) hang directly opposite from one another. The "Schrank" paintings follow earlier works, "Schranks #1- #3", exhibited previously in Berlin. "Schrank #1" is nearly a 1:1 replica of "Schrank" (1963), a beige-colored painting by Sigmar Polke. The only painterly elements in his work are a black line in the middle and two small keyholes. At the Kunstverein Braunschweig, the "Schrank" works have a pink background. Nogle approximates Baker Miller pink, also known as “Drunk Tank pink”, a color used in police stations, prisons, and psychiatric institutions because it has been proven to reduce violent or aggressive behavior.
Untitled, no date
19 ¾ × 27 ½ in
50 × 70 cm
Escamotage (2), 2023
Lacquered steel, screenprinted textile
75 ¼ × 55 ⅛ × 27 ½ in
191 × 140 × 70 cm
Brutes des nuits I, 2026
65 ⅜ × 115 ¾ in
166 × 294 cm
Brutes des nuits III, 2026
78 ¾ × 78 ¾ in
200 × 200 cm
Aberration II, 2022
Gouache screenprint in aluminum frame
46 × 28 in
117 × 71 cm
Laurent Dupont
Salute Cristal, 2025
Acrylic on cardboard box
23 × 10 ¼ × 10 ¼ in
59 × 26 × 26 cm
Rose Beermann and Luzie Meyer
Guerilla Video 2, 2012
SD video
5 minutes, 42 seconds
Edition of 4 plus 1 artist's proof
Dissemblancer 16, 2020–2026
Inkjet print on Canson Platine Fibre Rag paper, black wooden frames
50 × 24 in
127 × 61 cm
Jesse Stecklow
Box Set, 2019
Corian, powdercoated and printed steel, chipboard, paper, ribbon, clips
11 ¾ × 15 ¼ × 15 in
30 × 38.5 × 38 cm
HC
Daniel, 2022
Wooden panels, champagne chalk, pigments, modular table frames, 2 tubular steel chairs "comeback 041" (L&C Stendal)
176 ⅜ × 31 ½ × 16 ⅞ in
448 × 80 × 43 cm
Untitled (Instagram Aquarell #19), 2019
Moon Money (51 03), 2025
5 ⅝ × 11 ⅝ in
14.4 × 29.6 cm
Marina Grize
Bathers 50 (Jules I), 2025
Dye diffusion transfer print, glass, artist’s frame
5 × 4 in
13 × 10 cm
Sofia Defino Leiby
Strand Oostende, 25 June, 2:26 PM, 2025
Watercolor and pencil on paper
19 ¾ × 17 ¾ in
50 × 45 cm
Untitled (6:05:16), 2024
Clock parts, chrome-painted straw, carbograph 5 air samplers
4 ½ × 4 ½ × 3 ½ in
11.4 × 11.4 × 8.9 cm
Sweet Lou & Marie (#1), no date
Concrete, cotton, baking powder, tin
11 ¼ × 7 ¼ × 7 ¼ in
28.6 × 18.4 × 18.4 cm
Valentina Triet
Caress, 2021
C-print
18 ⅞ × 18 ⅞ in
48 × 48 cm
Edition of 2 plus 2 artist's proofs
Niklas Taleb
1995 XIII Instrumentals, 2021
Digital c-print, artist's frame (glazed tulipwood)
28 × 41 ⅜ in
71 × 105 cm
Edition of 3 plus 1 artist's proof
Notebook 1, 2021
Hand-bound artist book
13 ⅜ × 11 ⅛ × 1 ⅝ in
34 × 28 × 4 cm
Notebook 2, 2021
8 ⅝ × 6 ¼ × ⅜ in
22 × 16 × 1 cm
Notebook 3, 2021
9 ⅛ × 6 ¾ × ⅜ in
23 × 17 × 1 cm
Moon Money (Real), 2025
6 ¾ × 15 ⅝ in
17 × 39.7 cm
Ebb, 2021
UV-C exposed gum bichromate print on paper in acrylic frame with linen passe-partout
20 ⅛ × 28 × 1 ⅜ in
51 × 71 × 4 cm
Unique
Morgan Canavan
With audience, stressed internally, 2020
Plastic, pigmented resin, stainless steel
6 ½ × 1 ⅛ × 5 ½ in
16.5 × 3 × 14 cm
Afterparty for Mirror Cells, Whitney Museum of American Art, The Jane Hotel, New York (Elaine), 2016
C-print in polished aluminum frame
27 ⅛ × 40 ½ × 1 ⅝ in
68.9 × 102.9 × 4 cm
Chaste and Whole, 2022
Embossing and collage on Rives BFK paper
17 ⅛ × 16 ½ in
43.5 × 42 cm
Voir VI (Bodies in Camera), 2025
Framed black and white photograph
11 ¾ × 16 ⅞ in
30 × 43 cm
Andrew J. Greene
Umbrella Dryer (Goldman Sachs), 2017–2019
Umbrella, aluminum tubing, glass, motorized turntable, chrome table base
50 × 36 × 36 in
127 × 91.4 × 91.4 cm
Bathers 38 (Marie), 2024
10 × 8 in
25.5 × 20.5 cm
Pearled, 2026
Dye sublimation print, cast aluminum, steel hardware
Database (Toluene), 2024
Crude oil lucite paperweights, silkscreen on paper, hanger studs, glass, MDF
13 × 18 × 8 ½ in
33 × 45.7 × 21.6 cm
Alexandre Khondji
Untitled (Blue, White and Red Panels), 2025
Gel-coated fiberglass polyester
49 ⅝ × 196 ⅞ × 5 ⅞ in
126 × 500 × 15 cm
Mallet, 2020
Mallet
2 × 10 ⅜ × 3 ⅛ in
5 × 26.5 × 8 cm
Moon Money (51 02), 2025
6 ¼ × 11 ¾ in
15.8 × 29.8 cm
Insight, 2026
Collage on panel, watercolor
15 ¾ × 11 ¾ in
40 × 30 cm
Moon Money (51 01), 2025
9 ⅝ × 12 ⅝ in
24.5 × 32.1 cm
Silver (Dallas) II, 2018
Framed archival pigment print
16 ½ × 13 ½ in
42 × 34 cm
Fest, 1949, 2023
Watercolor on paper in stained maple frame
54 ⅜ × 86 in
138.1 × 218.6 cm
Vaterdrum, Mutterdrum, Michdrum, 2021
SONGMICS Heavy Duty Clothes Rack Coat Rack on Wheels (2), Floor Standing Sign Holder - Single Tier Chrome, Pearl CRB524P C730 Crystal Beat Fusion Shell Drum Set Acrylic, Liberty Imports Heavy Duty Diecast Metal Stainless Steel Handcuffs with Keys Bulk Party Favors for Police Kids Role Play (6), The Glass Cage by Georges Simenon
Installation dimensions variable
Strange Power, 2026
Dye sublimation print, cast aluminum, gatorboard, steel hardware
8 × 6 in
20.5 × 15 cm
Banner (The Girl - Hair in Wind), 2020
Vinyl banner
50 × 91 ⅜ in
127 × 232.2 cm
Bathers 21 (Jean), 2024
8 ¼ × 6 ¼ in
21 × 16 cm
Crib to Casket (Peanuts, Penthouse, Playboy, Playgirl), 2026
Annual calendars, 1974 to present
This ongoing work consists of 53 calendars from 1974 to 2026, one for each year of the artist’s life so far. Each annual calendar has been published by either Penthouse, Playboy, Playgirl (three icons of American erotica), or the Peanuts, featuring the characters of Charles Schultz’s classic cartoon. Every day of each calendar since D’Ette’s birth has been stamped with an American flag.
Ambiguity Tolerance, 2022
13 ¾ × 15 ⅜ in
35 × 39 cm
When falsehood can look so like the truth, who can assure themselves of certain happiness?, 2019
Acrylic paint, clay, glue, human hair, fabric, metal wire, wood
Dissemblancer 05, 2020–2026
30 × 30 in
76.2 × 76.2 cm
Carol Rhodes
Sheds, 2013
Pencil on paper
17 ¾ × 20 ⅛ in
45 × 51 cm
Bathers 55 (Sergio), 2025
unidentified III, 2020
Framed c-print
9 ½ × 11 ¾ in
24 × 30 cm
Articulated Mannequin as Chris Burden on Volkswagen, 1974, 2025
Polypropylene mannequin on stand
66 ⅛ × 63 × 48 ⅜ in
168 × 160 × 123 cm
Silent Protagonist, 2022
Carbon transfer, graphite, watercolor, acrylic on linen
11 ¾ × 15 ¾ in
30 × 40 cm
Dirty, Dirty 14, 2023–2024
Inkjet print on matte paper, mounted on black foamcore
6 ⅛ × 3 ¾ × ½ in
15.5 × 9.4 × 1.3 cm
You think it will never happen to you, that it cannot happen to you, that you are the only person in the world to whom none of these things will ever happen, and then, one by one, they all begin to happen to you, in the same way they happen to everyone else,, 2020
Materials variable
Dolls Museum II, 2026
Collage, oil on wood artist panel
9 ⅞ × 15 in
25 × 38 cm
Pferd, 1942, 2023
52 ¼ × 47 ½ in
132.7 × 120.7 cm
Small Sculpture (#1), no date
Wood, lead
3 ¼ × 2 ¼ × 2 in
8.3 × 5.7 × 5.1 cm
Untitled (The Painted House, projecting roofs at Hotel San Francesco al Monte Naples, empty space at Noah’s Ark, Everything is important meme, Untitled (Predator Drone), Katsura imperial villa), 2019
150 sheets of transparent foil
11 ¾ × 8 ¼ × ¾ in
29.7 × 21 × 2 cm
Anagram, 2022
Solvent transfer and pencil on paper
24 ⅜ × 32 ¼ in
62 × 82 cm
unidentified II, 2020
11 ¾ × 9 ½ in
30 × 24 cm
Bathers 10 (Iris), 2023
Without audience, stressed internally, 2020
Plexiglas, pigmented resin, stainless steel
5 ¾ × 1 ⅛ × 5 ⅞ in
14.5 × 3 × 15 cm
Morten Knudsen
To huller en himmel, 2026
Oil, acrylic, wax, canvas
51 ⅛ × 52 ⅜ in
130 × 133 cm
If all is questioned, what’s left?, 2022
Pinhole camera photograph in artist's frame
22 ⅛ × 18 ⅞ in
56 × 48 cm
Triple Insert, 2025
Endoscopic camera, KVM console
From each KVM console, one wire leading into the wall is a light; the second wire is an endoscopic camera. The camera relays a live video feed, which is displayed on the console's monitor.
Untitled (Instagram Aquarell #7), 2017
Interior II, 2025
Watercolor on paper, various found objects on wooden backdrop
15 ¾ × 19 ¾ × 4 in
40 × 50 × 10 cm
Ear Wiggler, 2016
Dried corn, drawing, aluminum, duct fan parts, powder coated aluminum, wood, hardware, cables
13 × 18 × 10 ½ in
33 × 45.7 × 26.7 cm
Growth (Canal), 2022
20 ⅛ × 14 ¾ × 1 ⅜ in
51 × 37.5 × 3.6 cm
Signs and Wonders 08, 2022
Inkjet print in aluminum frame
9 ¼ × 7 ⅞ in
23.5 × 20 cm
