D'Ette Nogle
*1974, United States
Lives and works in Los Angeles, CA, United States
Biography
D’Ette Nogle’s wide-ranging practice, often realized in large-scale installations and long-form videos, examines the social, political, and economic forces that shape the conditions of the present day.
Nogle (*1974, United States) lives and works in Los Angeles. She has presented two solo exhibitions at Sweetwater, most recently in 2025. Other recent solo exhibitions include Kunstverein Braunschweig, Derosia, and Hannah Hoffman. Her work has also been included in group exhibitions at the Frans Hals Museum, Fluentum, Halle Für Kunst Lüneburg, Bonner Kunstverein, Hessel Museum, and the Hammer Museum. Nogle received an MFA from the University of California, Los Angeles in 2000.
Selected Texts
Exhibitions
Artworks
Curriculum Vitae
Education
| 2000 | MFA, University of California Los Angeles, Los Angeles, CA, United States |
| 1997 | BA, Communications, Chapman University, Orange, CA, United States |
Selected Solo and Two-Person Exhibitions
| 2026 | 7 4 26, Timeshare, Los Angeles, CA, United States |
| Let it R.I.P., Kunstverein Braunschweig, Braunschweig, Germany | |
| 2025 | Before Ye, Sweetwater, Berlin, Germany |
| 2024 | Dime Store D’Ette, Derosia, New York, NY, United States |
| MATERIALOUTPOST: IN-COUNTRY, Hannah Hoffman at American Legion Post 206, Los Angeles, CA, United States | |
| 2020 | ˙|˙, Sweetwater, Berlin, Germany |
| 2019 | D’Ette Nogle, 2019, Hannah Hoffman at Public Storage, Los Angeles, CA, United States |
| Bleeding Canvas, Bodega, New York, NY, United States | |
| 2016 | New Paintings, Reserve Ames, Los Angeles, CA, United States |
| 2015 | Not a Police Black Site ;-), Egg, Chicago, IL, United States |
| Absolute, Relative, Cosmic (The Practice of Every-day Art), The Finley, Los Angeles, CA, United States | |
| 2014 | Michael Clifton & Michael Benevento and D'Ette Nogle Present: Regressing to Mean, Clifton Benevento, New York, NY, United States |
| Los Angeles Contemporary Archive and D'Ette Nogle Present: Regressing to Mean (Off-Site Testing), Los Angeles Contemporary Archive, Los Angeles, CA, United States | |
| 2012 | Michael Clifton & Michael Benevento and D'Ette Nogle Present: Information from Two Sources, Clifton Benevento, New York, NY, United States |
| 2011 | Reality/Relax, Parker Jones Gallery, Los Angeles, CA, United States |
| 2009 | Suspended Projection, Room Gallery, University of California, Irvine, CA, United States |
| 2001 | How Deep Is Your Love?, Los Angeles Contemporary Exhibitions, LA, United States |
| After Wholes & A Sum of Parts, Guggenheim Gallery Project Room, Chapman University, Orange, CA, United States | |
| 1998 | Dear Joan, Plastica, Los Angeles, CA, United States |
Selected Group Exhibitions
| 2025 | Canon, Sweetwater, Berlin, Germany |
| 2022 | Every lie has an audience, Marséll, Milan, Italy |
| The Art of Critique, Frans Hals Museum, Haarlem, Netherlands | |
| 2021 | Time Without End, Fluentum, Berlin, Germany |
| When There is no Laughing Matter, Laughter Matters, Halle für Kunst, Lüneburg, Germany | |
| Delusionarium 5 (Adaptation), curated by Jesse Benson and Becky Koblick, Night Gallery, Los Angeles, CA, United States | |
| 2020 | An Artist Age Mess, Bodega, New York, NY, United States |
| 2019 | Can You Feel It?, Last Tango, Zurich, Switzerland |
| Maskulinitäten., Bonner Kunstverein, Bonn, Germany, Kölnischer Kunstverein, Cologne, Germany and Kunstverein für die Rheinlande und Westfalen, Dusseldorf, Germany | |
| A story forms, Bel Ami, Los Angeles, CA, United States | |
| 2018 | Not Quite Verbatim, Hessel Museum, CCS Bard, Annandale-on-Hudson, NY, United States |
| Gallery Share hosted by Hannah Hoffman, Kristina Kite, and Paul Soto, Los Angeles, CA, United States | |
| 2017 | Hurts to Laugh, curated by Sarah Lehrer-Graiwer, Various Small Fires, Los Angeles, CA, United States |
| 2016 | A Change of Heart, curated by Chris Sharp, Hannah Hoffman Gallery, Los Angeles, CA, United States |
| 2015 | EGG, Essex Street, New York, NY, United States |
| New Location, Michael Benevento, Los Angeles, CA, United States | |
| 2014 | Tragedy Plus Time, Public Fiction (off-site exhibition of the Hammer Museum's Made in L.A.), Los Angeles, CA, United States |
| And Yes, I Even Remember You., Aran Cravey Gallery, Los Angeles, CA, United States | |
| 2013 | Shangrila 2013: Burrito Deluxe, curated by Steven Bankhead and Jesse Benson, Shangrila, Joshua Tree, CA, United States |
| 2012 | IN/SITU at EXPO Chicago, curated by Michel Ned Holte, Chicago, IL, United States |
| Made In L.A. 2012, Hammer Museum, Los Angeles, CA, United States | |
| She’s Not There, organized by Andrew Berardini and Dave Muller, Three Day Weekend at Public Fiction, Los Angeles, CA, United States | |
| 2011 | GREG WILKEN TORBJORN VEJVI LYNTON TAL BOT CAULEEN SMITH SEACA (SOUTHEAST ASIAN COMMUNITY ALLIANCE) MARK ROEDER AN DREA ROBBINS AND MAX BECHER D’ETTE NOGLE DYLAN MARCUS BRIAN MANN TORY LOWITZ FRED LONIDIER AMY LAUGHLIN LISA LAPINSKI WILLIAM JONES DANIEL INGROFF KATIE HERZOG KEVIN HANLEY AARON GM ERIK FRYDENBORG RACHEL FOULLON TRAVIS FARMEN TOM ELLIS LUCY DODD MICHELE DI MENNA JESSE BENSON WILL BENEDICT MERWIN BELIN, Exhibition Design by Jesse Benson and Brian Mann, Las Cienegas Projects, Los Angeles, CA, United States |
| 3348 Hours of Sunshine, Clifton Benevento, New York, NY, United States | |
| Progression Minus Progress, Curated by Sarah Lehrer-Graiwer, Romer Young Gallery, San Francisco, CA, United States | |
| 2010 | Says I, Parker Jones Gallery, Los Angeles, CA, United States |
| D’ark Garden, collaborative project with Mark Roeder organized by Brooks Hudson Thomas, Specific Merchandise, Los Angeles, CA, United States | |
| 2009 | Delusionairium 4, organized by Jesse Benson, Circus Gallery, Bonelli Contemporary, and David Salow Gallery, Los Angeles, CA, United States |
| 2004 | Cool Intentions, curated by Alex Israel, Sandroni Rey, Venice, CA, United States |
| 2002 | A Show That Will Show That a Show Is Not Only a Show, curated by Jens Hoffman, The Project, Los Angeles, CA, United States |
| 2001 | Sonsbeek 2001, curated by Jan Hoet, Arnhem, Netherlands |
| Present Sonsbeek 9, Museum Voor Moderne Kunst, Arnhem, Netherlands | |
| Snow, curated by Jacob Rhodes, Practice Space, Los Angeles, CA, United States | |
| Forever Infinite, curated by Rebecca Carter, Black Dragon Society, Los Angeles, CA, United States | |
| 2000 | Not Coming, Projections: Intermission Images VII, curated by Catherine Lord, Side Street Projects, Los Angeles, CA, United States |
| 1998 | Caption, organized by Jessica Bronson, Three Day Weekend, Los Angeles, CA, United States |
Public Collections
| Frans Hals Museum, Haarlem, Netherlands | |
| Hammer Museum, Los Angeles, CA, United States | |
| Museum Voor Moderne Kunst, Arnhem, Netherlands |
Selected Press
| 2026 | Duncan Ballantyne Way, Cold Turkey: D'Ette Nogle at the Kunstverein Braunschweig, Spike #87 |
| Genevieve Lipinsky de Orlov, D'Ette Nogle's Let it R.I.P., e-flux Criticism, April 15 | |
| Bettina Maria Brosowsky, Künstlerin D'Ette Nogle in Braunschweig: Mit dem Käfer in die Villa, taz, April 22 | |
| 2020 | Georg Imdahl, Im Zeichen des Bären, jedenfalls, Frankfurter Allgemeine, September 11 |
| Isabel Parkes, Critic's Pick: D'Ette Nogle at Sweetwater, Artforum, August 10 | |
| Attilia Fattori Franchini, Teach Me How to Dougie: D’Ette Nogle, Mousse, April 7 | |
| 2019 | David Muenzer, D'Ette Nogle, Artforum, April |
| Jonathan Griffin, D'Ette Nogle at Hannah Hoffman Los Angeles, ArtReview, March | |
| Catherine Wagley, D'Ette Nogle at Public Storage, Contemporary Art Review LA, February 13 | |
| 2018 | Jonathan Griffin, Los Angeles Gallery Share, art agenda, March 28 |
| Five Shows in March: Gallery Share at Hannah Hoffman, Exhibitionary, March | |
| 2017 | 'Hurts to Laugh' at Various Small Fires, Blouin Artinfo, August 17 |
| 2016 | Hyunjee Nicole Kim, A Change of Heart, This Is Tomorrow, July 14 |
| 'A Change of Heart' at Hannah Hoffman, ARTnews, July 13 | |
| 2015 | Mostafa Heddaya, Around the World in 10 Booths at Frieze New York, Blouin Artinfo, May 14 |
| Anneliese Cooper, EVOO Abounds at Frieze, Blouin Artinfo, May 14 | |
| Alex Greenberger, Zak Kitnick and D'Ette Nogle Bring Pure Olive Oil to Frieze, Artnews, May 13 | |
| 2014 | Sharon Mizota, Brief but potent memory: 'And yes, I even remember you' at Aran Cravey, L.A. Times, August 22 |
| Alicia Eller, In the Spirit of Summer Memories, Hyperallergic, August 22 | |
| Regressing to Mean: D'Ette Nogle, Cura, May 15 | |
| Brienne Walsh, Staving off the Sophomore Slump: D'Ette Nogle at Clifton Benevento, Art in America, May 12 | |
| Matteo Mottin, Interview with D'Ette Nogle, ATP Diary, April 22 | |
| Andrew Russeth, 10 Things to Do in New York's Artworld Before April 20, New York Observer, April 14 | |
| 2012 | Andrew Russeth, Back to the Beach, New York Observer, December 11 |
| Andrew Russeth, D'Ette Nogle Does the Dougie, Gallerist NY, December 7 | |
| Brienne Walsh, D'Ette Nogle, Clifton Benevento, Art in America, October | |
| Kyle Fitzpatrick, Made in L.A.: D'Ette Nogle, L.A. I'm Yours, May 8 | |
| 2009 | Sarah Lehrer-Graiwer, Suspended Projection, ArtReview, Issue 37, December |
| 2001 | Diane Shamash, Report from Holland: Nature, Faith and Commerce, Art in America, December |
Lectures and Teaching
| 2025 | Mountain School of Art, Los Angeles, CA, United States |
| 2024 | Mountain School of Art, Los Angeles, CA, United States |
| 2023 | Mountain School of Art, Los Angeles, CA, United States |
| 2022 | Frans Hals Museum & Studium Generale Rietveld Academie, Haarlem, Netherlands |
| 2019 | Graduate Art Seminar, Art Center, Pasadena, CA, United States |
| 2018 | Reserve Ames-CSUN Lecture Series, Cal State University Northridge, Northridge, CA, United States |
| 2013 | Otis College of Art and Design, Westchester, CA, United States |
| 2001 | Chapman University, Orange, CA, United States |
Publications and Texts
| 2022 | The Art of Critique, edited by Melanie Bühler, Lenz Press, Milan, Italy |
| 2002 | Charley 01, edited by Maurizio Cattelan et al., D.A.P./Distributed Art Publishers, New York, NY, United States |
| 2001 | Sonsbeek 9, exhibition catalogue, edited by Jan Hoet and Dieter Roelstraete, Arnhem, Netherlands |