D'Ette Nogle
*1974, United States
Lives and works in Los Angeles, CA, United States
Biography
D’Ette Nogle’s wide-ranging practice, often realized in large-scale installations and long-form videos, examines the social, political, and economic forces that shape the conditions of the present day.
Nogle (*1974, United States) lives and works in Los Angeles. She has presented two solo exhibitions at Sweetwater, most recently in 2025. Other recent solo exhibitions include Kunstverein Braunschweig, Derosia, and Hannah Hoffman. Her work has also been included in group exhibitions at the Frans Hals Museum, Fluentum, Halle Für Kunst Lüneburg, Bonner Kunstverein, Hessel Museum, and the Hammer Museum. Nogle received an MFA from the University of California, Los Angeles in 2000.
Selected Texts
Exhibitions
Artworks
Curriculum Vitae
Education
| 2000 | MFA, University of California Los Angeles, Los Angeles, CA, United States |
| 1997 | BA, Communications, Chapman University, Orange, CA, United States |
Selected Solo and Two-Person Exhibitions
| 2026 | Let it R.I.P., Kunstverein Braunschweig, Braunschweig, Germany |
| 2025 | Before Ye, Sweetwater, Berlin, Germany |
| 2024 | Dime Store D’Ette, Derosia, New York, NY, United States |
| MATERIALOUTPOST: IN-COUNTRY, Hannah Hoffman at American Legion Post 206, Los Angeles, CA, United States | |
| 2020 | ˙|˙, Sweetwater, Berlin, Germany |
| 2019 | D’Ette Nogle, 2019, Hannah Hoffman at Public Storage, Los Angeles, CA, United States |
| Bleeding Canvas, Bodega, New York, NY, United States | |
| 2016 | New Paintings, Reserve Ames, Los Angeles, CA, United States |
| 2015 | Not a Police Black Site ;-), Egg, Chicago, IL, United States |
| Absolute, Relative, Cosmic (The Practice of Every-day Art), The Finley, Los Angeles, CA, United States | |
| 2014 | Michael Clifton & Michael Benevento and D'Ette Nogle Present: Regressing to Mean, Clifton Benevento, New York, NY, United States |
| Los Angeles Contemporary Archive and D'Ette Nogle Present: Regressing to Mean (Off-Site Testing), Los Angeles Contemporary Archive, Los Angeles, CA, United States | |
| 2012 | Michael Clifton & Michael Benevento and D'Ette Nogle Present: Information from Two Sources, Clifton Benevento, New York, NY, United States |
| 2011 | Reality/Relax, Parker Jones Gallery, Los Angeles, CA, United States |
| 2009 | Suspended Projection, Room Gallery, University of California, Irvine, CA, United States |
| 2001 | How Deep Is Your Love?, Los Angeles Contemporary Exhibitions, LA, United States |
| After Wholes & A Sum of Parts, Guggenheim Gallery Project Room, Chapman University, Orange, CA, United States | |
| 1998 | Dear Joan, Plastica, Los Angeles, CA, United States |
Selected Group Exhibitions
| 2025 | Canon, Sweetwater, Berlin, Germany |
| 2022 | Every lie has an audience, Marséll, Milan, Italy |
| The Art of Critique, Frans Hal Museum, Haarlem, Netherlands | |
| 2021 | Time Without End, Fluentum, Berlin , Germany |
| When There is no Laughing Matter, Laughter Matters, Halle für Kunst, Lüneburg, Germany | |
| 2020 | An Artist Age Mess, Bodega, New York, NY, United States |
| 2019 | Can You Feel It?, Last Tango, Zurich, Switzerland |
| Maskulinitäten., Bonner Kunstverein, Bonn, Germany, Kölnischer Kunstverein, Cologne, Germany and Kunstverein für die Rheinlande und Westfalen, Dusseldorf, Germany | |
| A story forms, Bel Ami, Los Angeles, CA, United States | |
| 2018 | Not Quite Verbatim, Hessel Museum, CCS Bard, Annandale-on-Hudson, NY, United States |
| Gallery Share hosted by Hannah Hoffman, Kristina Kite, and Paul Soto, Los Angeles, CA, United States | |
| 2017 | Hurts to Laugh, curated by Sarah Lehrer-Graiwer, Various Small Fires, Los Angeles, CA, United States |
| 2016 | A Change of Heart, curated by Chris Sharp, Hannah Hoffman Gallery, Los Angeles, CA, United States |
| 2015 | EGG, Essex Street, New York, NY, United States |
| New Location, Michael Benevento, Los Angeles, CA, United States | |
| 2014 | Tragedy Plus Time, Public Fiction (off-site exhibition of the Hammer Museum's Made in L.A.), Los Angeles, CA, United States |
| And Yes, I Even Remember You., Aran Cravey Gallery, Los Angeles, CA, United States | |
| 2013 | Shangrila 2013: Burrito Deluxe, curated by Steven Bankhead and Jesse Benson, Shangrila, Joshua Tree, CA, United States |
| 2012 | IN/SITU at EXPO Chicago, curated by Michel Ned Holte, Chicago, IL, United States |
| Made In L.A. 2012, Hammer Museum, Los Angeles, CA, United States | |
| She’s Not There, organized by Andrew Berardini and Dave Muller, Three Day Weekend at Public Fiction, Los Angeles, CA, United States | |
| 2011 | GREG WILKEN TORBJORN VEJVI LYNTON TAL BOT CAULEEN SMITH SEACA (SOUTHEAST ASIAN COMMUNITY ALLIANCE) MARK ROEDER AN DREA ROBBINS AND MAX BECHER D’ETTE NOGLE DYLAN MARCUS BRIAN MANN TORY LOWITZ FRED LONIDIER AMY LAUGHLIN LISA LAPINSKI WILLIAM JONES DANIEL INGROFF KATIE HERZOG KEVIN HANLEY AARON GM ERIK FRYDENBORG RACHEL FOULLON TRAVIS FARMEN TOM ELLIS LUCY DODD MICHELE DI MENNA JESSE BENSON WILL BENEDICT MERWIN BELIN, Exhibition Design by Jesse Benson and Brian Mann, Las Cienegas Projects, Los Angeles, CA, United States |
| 3348 Hours of Sunshine, Clifton Benevento, New York, NY, United States | |
| Progression Minus Progress, Curated by Sarah Lehrer-Graiwer, Romer Young Gallery, San Francisco, CA, United States | |
| 2010 | Says I, Parker Jones Gallery, Los Angeles, CA, United States |
| D’ark Garden, collaborative project with Mark Roeder organized by Brooks Hudson Thomas, Specific Merchandise, Los Angeles, CA, United States | |
| 2009 | Delusionairium 4, organized by Jesse Benson, Circus Gallery, Bonelli Contemporary, and David Salow Gallery, Los Angeles, CA, United States |
| 2004 | Cool Intentions, curated by Alex Israel, Sandroni Rey, Venice, CA, United States |
| 2002 | A Show That Will Show That a Show Is Not Only a Show, curated by Jens Hoffman, The Project, Los Angeles, CA, United States |
| 2001 | Sonsbeek 2001, curated by Jan Hoet, Arnhem, Netherlands |
| Present Sonsbeek 9, Museum Voor Moderne Kunst, Arnhem, Netherlands | |
| Snow, curated by Jacob Rhodes, Practice Space, Los Angeles, CA, United States | |
| Forever Infinite, curated by Rebecca Carter, Black Dragon Society, Los Angeles, CA, United States | |
| 2000 | Not Coming, Projections: Intermission Images VII, curated by Catherine Lord, Side Street Projects, Los Angeles, CA, United States |
| 1998 | Caption, organized by Jessica Bronson, Three Day Weekend, Los Angeles, CA, United States |