Sweetwater

Bettina, Birgit Jürgenssen, Nina Porter, Carol Rhodes, Hanna Stiegeler

November 8, 2024 to December 21, 2024

Leipziger Straße 56-58, Berlin, Germany

Exhibition Text

Bettina (1927–2021) was an American artist who lived and worked in New York. She was a resident of the Chelsea Hotel for nearly fifty years, over which she produced a wide-ranging body of work spanning photography, painting, sculpture, film, and textile. The works on view in the exhibition are from her Phenomenological New York series (1972-1986), which included photographs of New York’s skyline reflected in the windows of the city’s towering office buildings, bringing fluidity and movement to the city’s skyscrapers. Solo exhibitions of her work have been held at the Hessel Museum, Annandale-on Hudson (2023) and Les Recontres de la Photographie, Arles (2022); her work has been included in group exhibitions at Kunsthalle Bielefeld (2023), the Stedelijk Museum, Amsterdam (2023), MoMA PS1, New York (2021), and the Museum of Modern Art, New York (2021).

Birgit Jürgenssen (1949-2003) was an Austrian artist who lived and worked in Vienna. Her series Interieurs (1997-1998) is a multi-layered depiction of one’s home, engaging the division between inside and outside, and private and public. The source material for the line drawings on which the works are based is an interior design manual from 1976 titled Schöner Wohnen (English: Better Living); across the series, Jürgenssen modified each room’s template by incorporating images (including images of other works of hers) that irritate the sterile domestic backdrop. These collages (made in a notebook; the spiral binding can be seen on the left of some images) were then photographed with shadows cast across their surface, adding yet another uncanny layer to Jürgenssen’s play between the familiar domestic scenes and the underlying secrets hidden in the images below. A retrospective of Jürgenssen’s work was exhibited at the Weserburg Museum of Art, Bremen (2020), the Louisiana Museum of Modern Art, Humlebæk (2019), the Galleria d’Arte Moderna e Contemporanea, Bergamo (2019) and the Kunsthalle Tübingen (2018).

Nina Porter (*1994, UK) lives and works between London and Frankfurt. Recent exhibitions include vision on the run, a. SQUIRE, London; Carriers and Manifestations, Petrine, Paris with Kobby Adi. Recent screenings include The French Institute, London; Mackintosh Lane, London; The Austrian Film Museum, Vienna and The Horse Hospital, London. In 2023 she carried out a research residency in the archive of Fernand Deligny at l’Abbaye d’Ardenne in Northern France.

Carol Rhodes (1959–2018) was a Scottish artist who worked primarily in painting and drawing. Her paintings, depicting fictitious cities, towns, and buildings, often alienate viewers from the landscape by using unique aerial and distant perspectives and a flattened visual hierarchy. Studies of human construction and movement abound; places seemingly familiar become foreign. Rhodes’s work is represented in a number of public collections across the UK, including Tate, London, the Glasgow Museums, Glasgow, and the Scottish National Gallery of Modern Art, Edinburgh, among many others. In 2024, Haus am Waldsee, Berlin, hosted a solo exhibition of Rhodes’s work.

The works of Hanna Stiegeler (*1985, DE) in the exhibition appropriate imagery from the Picture Collection of the New York Public Library. The Picture Collection is comprised of over 1.5 million images clipped from books and magazines from the early twentieth century to the present; it offers access to a diverse array of images, which Stiegeler employs to delve into the world of cityscapes and storefronts. Each of Stiegeler’s works from this series begins with a photograph of the image from the Picture Collection – zoomed in, blurred, cropped, or otherwise recontextualized – which she then screenprints in varying colors, at times overlaid by brushstrokes. Through these images and their modifications, Stiegeler explores not only the unique architectural contours of urban façades and the experiences they dictate, but also the stories told by their original commercial contexts. Stiegeler lives and works in Berlin. She received both a BA and MA from Hochschule für Grafik und Buchkunst Leipzig. Stiegeler has been represented by Sweetwater since 2020; her most recent exhibition at the gallery, titled Infinite Library, took place in the summer of 2023.

Installation Views
Media © Sweetwater 2025
Media © Sweetwater 2025
Media © Sweetwater 2025
Media © Sweetwater 2025
Media © Sweetwater 2025
Media © Sweetwater 2025
Media © Sweetwater 2025
Media © Sweetwater 2025
Media © Sweetwater 2025
Media © Sweetwater 2025
Artworks
Carol Rhodes
Carol Rhodes
Nina Porter
Nina Porter
Nina Porter
Bettina
Bettina
Birgit Jürgenssen
Hanna Stiegeler
Nina Porter
Bettina
Carol Rhodes
Hanna Stiegeler
Hanna Stiegeler
Hanna Stiegeler
Hanna Stiegeler

Bettina, Birgit Jürgenssen, Nina Porter, Carol Rhodes, Hanna Stiegeler

November 8, 2024 to December 21, 2024

Leipziger Straße 56-58, Berlin, Germany

Carol Rhodes

Carol Rhodes

Sheds, 2013

Pencil on paper

45 × 51 cm

17 ¾ × 20 ⅛ in

Carol Rhodes

Carol Rhodes

River, Roads, 2013

Pencil on paper

50 × 57 cm

19 ¾ × 22 ½ in

Nina Porter

Nina Porter

R8C4291123, 2024

C-type contact print and C-type negative in artist's frame

240 × 14 × 2.2 cm

94 ½ × 5 ½ × ⅞ in

Media © Sweetwater 2025
Detail

Nina Porter

R8C4291123, 2024

C-type contact print and C-type negative in artist's frame

240 × 14 × 2.2 cm

94 ½ × 5 ½ × ⅞ in

Nina Porter

Nina Porter

R5C3071124, 2024

C-type contact print and C-type negative in artist's frame

240 × 14 × 2.2 cm

94 ½ × 5 ½ × ⅞ in

Media © Sweetwater 2025
Detail

Nina Porter

R5C3071124, 2024

C-type contact print and C-type negative in artist's frame

240 × 14 × 2.2 cm

94 ½ × 5 ½ × ⅞ in

Nina Porter

Nina Porter

R2C3051123, 2024

C-type contact print and C-type negative in artist's frame

240 × 14 × 2.2 cm

94 ½ × 5 ½ × ⅞ in

Media © Sweetwater 2025
Detail

Nina Porter

R2C3051123, 2024

C-type contact print and C-type negative in artist's frame

240 × 14 × 2.2 cm

94 ½ × 5 ½ × ⅞ in

Bettina

Bettina

Phenomenological New York, 1972–1986

Silver gelatin print

24.8 × 15.9 cm

9 ¾ × 6 ¼ in

Bettina

Bettina

Phenomenological New York, 1972–1986

Silver gelatin print, printed by the artist

24.8 × 15.2 cm

9 ¾ × 6 in

Birgit Jürgenssen

Birgit Jürgenssen

Interieurs, 1997–1998

Color photographs

52 × 76.5 cm

20 ½ × 30 ⅛ in

Media © Sweetwater 2025
Detail

Birgit Jürgenssen

Interieurs, 1997–1998

Color photographs

52 × 76.5 cm

20 ½ × 30 ⅛ in

Media © Sweetwater 2025
Detail

Birgit Jürgenssen

Interieurs, 1997–1998

Color photographs

52 × 76.5 cm

20 ½ × 30 ⅛ in

Media © Sweetwater 2025
Detail

Birgit Jürgenssen

Interieurs, 1997–1998

Color photographs

52 × 76.5 cm

20 ½ × 30 ⅛ in

Media © Sweetwater 2025
Detail

Birgit Jürgenssen

Interieurs, 1997–1998

Color photographs

52 × 76.5 cm

20 ½ × 30 ⅛ in

Media © Sweetwater 2025
Detail

Birgit Jürgenssen

Interieurs, 1997–1998

Color photographs

52 × 76.5 cm

20 ½ × 30 ⅛ in

Media © Sweetwater 2025
Detail

Birgit Jürgenssen

Interieurs, 1997–1998

Color photographs

52 × 76.5 cm

20 ½ × 30 ⅛ in

Media © Sweetwater 2025
Detail

Birgit Jürgenssen

Interieurs, 1997–1998

Color photographs

52 × 76.5 cm

20 ½ × 30 ⅛ in

Hanna Stiegeler

Hanna Stiegeler

Societé 3, 2024

Screenprint on canvas board, acrylic frame

31.2 × 21.1 cm

12 ¼ × 8 ¼ in

Media © Sweetwater 2025
Detail

Hanna Stiegeler

Societé 3, 2024

Screenprint on canvas board, acrylic frame

31.2 × 21.1 cm

12 ¼ × 8 ¼ in

Nina Porter

Nina Porter

R1C3021123, 2024

C-type contact print and C-type negative in artist's frame

240 × 14 × 2.2 cm

94 ½ × 5 ½ × ⅞ in

Media © Sweetwater 2025
Detail

Nina Porter

R1C3021123, 2024

C-type contact print and C-type negative in artist's frame

240 × 14 × 2.2 cm

94 ½ × 5 ½ × ⅞ in

Media © Sweetwater 2025
Detail

Nina Porter

R1C3021123, 2024

C-type contact print and C-type negative in artist's frame

240 × 14 × 2.2 cm

94 ½ × 5 ½ × ⅞ in

Bettina

Bettina

Phenomenological New York, 1975

Three silver gelatin prints, printed and mounted by the artist

14 × 35.6 cm

5 ½ × 14 in

Carol Rhodes

Carol Rhodes

Factory Roof, Houses, 1995

Oil on board

39.1 × 45.6 cm

15 ⅜ × 18 in

Media © Sweetwater 2025
Detail

Carol Rhodes

Factory Roof, Houses, 1995

Oil on board

39.1 × 45.6 cm

15 ⅜ × 18 in

Hanna Stiegeler

Hanna Stiegeler

how it looks 2, 2024

Screenprint on canvas board, acrylic frame

19 × 25.2 cm

7 ½ × 9 ⅞ in

Hanna Stiegeler

Hanna Stiegeler

how it looks 1, 2024

Screenprint on canvas board, acrylic frame

19 × 25.2 cm

7 ½ × 9 ⅞ in

Hanna Stiegeler

Hanna Stiegeler

Societé 1, 2024

Screenprint on canvas board, acrylic frame

26.5 × 21.3 cm

10 ⅜ × 8 ⅜ in

Hanna Stiegeler

Hanna Stiegeler

Kids, 2024

Screenprint on canvas board, acrylic frame

21.3 × 26.5 cm

8 ⅜ × 10 ⅜ in

Bettina, Birgit Jürgenssen, Nina Porter, Carol Rhodes, Hanna Stiegeler

November 8, 2024 to December 21, 2024

Leipziger Straße 56-58, Berlin, Germany

Media © Sweetwater 2025
Media © Sweetwater 2025

Carol Rhodes

Sheds, 2013

Pencil on paper

45 × 51 cm

17 ¾ × 20 ⅛ in

Carol Rhodes

River, Roads, 2013

Pencil on paper

50 × 57 cm

19 ¾ × 22 ½ in

Nina Porter

R2C3051123, 2024

C-type contact print and C-type negative in artist's frame

240 × 14 × 2.2 cm

94 ½ × 5 ½ × ⅞ in

Nina Porter

R8C4291123, 2024

C-type contact print and C-type negative in artist's frame

240 × 14 × 2.2 cm

94 ½ × 5 ½ × ⅞ in

Nina Porter

R5C3071124, 2024

C-type contact print and C-type negative in artist's frame

240 × 14 × 2.2 cm

94 ½ × 5 ½ × ⅞ in

Media © Sweetwater 2025

Carol Rhodes

Sheds, 2013

Pencil on paper

45 × 51 cm

17 ¾ × 20 ⅛ in

Carol Rhodes

River, Roads, 2013

Pencil on paper

50 × 57 cm

19 ¾ × 22 ½ in

Media © Sweetwater 2025

Nina Porter

R2C3051123, 2024

C-type contact print and C-type negative in artist's frame

240 × 14 × 2.2 cm

94 ½ × 5 ½ × ⅞ in

Nina Porter

R8C4291123, 2024

C-type contact print and C-type negative in artist's frame

240 × 14 × 2.2 cm

94 ½ × 5 ½ × ⅞ in

Nina Porter

R5C3071124, 2024

C-type contact print and C-type negative in artist's frame

240 × 14 × 2.2 cm

94 ½ × 5 ½ × ⅞ in

Media © Sweetwater 2025

Nina Porter

R5C3071124, 2024

C-type contact print and C-type negative in artist's frame

240 × 14 × 2.2 cm

94 ½ × 5 ½ × ⅞ in

Birgit Jürgenssen

Interieurs, 1997–1998

Color photographs

52 × 76.5 cm

20 ½ × 30 ⅛ in

Hanna Stiegeler

Societé 3, 2024

Screenprint on canvas board, acrylic frame

31.2 × 21.1 cm

12 ¼ × 8 ¼ in

Media © Sweetwater 2025

Bettina

Phenomenological New York, 1972–1986

Silver gelatin print, printed by the artist

24.8 × 15.2 cm

9 ¾ × 6 in

Bettina

Phenomenological New York, 1972–1986

Silver gelatin print

24.8 × 15.9 cm

9 ¾ × 6 ¼ in

Media © Sweetwater 2025

Birgit Jürgenssen

Interieurs, 1997–1998

Color photographs

52 × 76.5 cm

20 ½ × 30 ⅛ in

Hanna Stiegeler

Societé 3, 2024

Screenprint on canvas board, acrylic frame

31.2 × 21.1 cm

12 ¼ × 8 ¼ in

Bettina

Phenomenological New York, 1975

Three silver gelatin prints, printed and mounted by the artist

14 × 35.6 cm

5 ½ × 14 in

Media © Sweetwater 2025

Hanna Stiegeler

Societé 3, 2024

Screenprint on canvas board, acrylic frame

31.2 × 21.1 cm

12 ¼ × 8 ¼ in

Bettina

Phenomenological New York, 1975

Three silver gelatin prints, printed and mounted by the artist

14 × 35.6 cm

5 ½ × 14 in

Nina Porter

R1C3021123, 2024

C-type contact print and C-type negative in artist's frame

240 × 14 × 2.2 cm

94 ½ × 5 ½ × ⅞ in

Media © Sweetwater 2025

Bettina

Phenomenological New York, 1975

Three silver gelatin prints, printed and mounted by the artist

14 × 35.6 cm

5 ½ × 14 in

Nina Porter

R1C3021123, 2024

C-type contact print and C-type negative in artist's frame

240 × 14 × 2.2 cm

94 ½ × 5 ½ × ⅞ in

Carol Rhodes

Factory Roof, Houses, 1995

Oil on board

39.1 × 45.6 cm

15 ⅜ × 18 in

Hanna Stiegeler

how it looks 1, 2024

Screenprint on canvas board, acrylic frame

19 × 25.2 cm

7 ½ × 9 ⅞ in

Hanna Stiegeler

how it looks 2, 2024

Screenprint on canvas board, acrylic frame

19 × 25.2 cm

7 ½ × 9 ⅞ in

Hanna Stiegeler

Societé 1, 2024

Screenprint on canvas board, acrylic frame

26.5 × 21.3 cm

10 ⅜ × 8 ⅜ in

Hanna Stiegeler

Kids, 2024

Screenprint on canvas board, acrylic frame

21.3 × 26.5 cm

8 ⅜ × 10 ⅜ in

Media © Sweetwater 2025

Carol Rhodes

Factory Roof, Houses, 1995

Oil on board

39.1 × 45.6 cm

15 ⅜ × 18 in

Hanna Stiegeler

how it looks 1, 2024

Screenprint on canvas board, acrylic frame

19 × 25.2 cm

7 ½ × 9 ⅞ in

Hanna Stiegeler

how it looks 2, 2024

Screenprint on canvas board, acrylic frame

19 × 25.2 cm

7 ½ × 9 ⅞ in

Hanna Stiegeler

Societé 1, 2024

Screenprint on canvas board, acrylic frame

26.5 × 21.3 cm

10 ⅜ × 8 ⅜ in

Hanna Stiegeler

Kids, 2024

Screenprint on canvas board, acrylic frame

21.3 × 26.5 cm

8 ⅜ × 10 ⅜ in

Artist Biographies

Bettina (1927-2021, United States) was an American artist who primarily lived and worked in New York. She was the subject of Bettina: The Fifth Point of the Compass at the Hessel Museum, Annandale-on-Hudson in 2023 and Bettina: A Perpetual Poem of Renewal at Les Recontres de la Photographie, Arles in 2022. The monograph Bettina was published in 2022 by Aperture, New York.

Credits
Documentation by Joanna Wilk. Artworks by Bettina courtesy of the estate and Ulrik, New York. Arworks by Birgit Jürgenssen courtesy of the estate and Galerie Hubert Winter, Vienna. Artworks by Nina Porter courtesy of the artist and A. Squire, London. Artworks by Carol Rhodes courtesy of the estate and Alison Jacques, London.