Sweetwater

Cecilia

Anna-Sophie Berger, Benjamin Hirte, Sofia Defino Leiby, Constantin Thun, Morgaine Schaefer, Jeff Zilm

March 9, 2019 to April 20, 2019

Kottbusser Damm 7, Berlin, Germany

Exhibition Text

In the streets of Cecilia, an illustrious city, I met once a goatherd, driving a tinkling flock along the walls. “Man blessed by heaven,” he asked me, stopping, “can you tell me the name of the city in which we are?”

“May the gods accompany you!” I cried. “How can you fail to recognize the illustrious city of Cecilia?”

“Bear with me,” that man answered. “I am a wandering herdsman. Sometimes my goats and I have to pass through cities; but we are unable to distinguish them. Ask me the names of the grazing lands: I know them all, the Meadow between the Cliffs, the Green Slope, the Shadowed Grass. Cities have no name for me; they are places without leaves, separating one pasture from another, and where the goats are frightened at the street corners and scatter. The dog and I run to keep the flock together.”

“I am the opposite of you,” I said. “I recognize only cities and cannot distinguish what is outside them. In uninhabited places each stone and each clump of grass mingles, in my eyes, with every other stone and clump.”

Many years have gone by since then; I have known many more cities and I have crossed continents. One day I was walking among rows of identical houses; I was lost. I asked a passerby: “May the immortals protect you, can you tell me where we are?”

“In Cecilia, worse luck!” he answered. “We have been wandering through its streets, my goats and I, for an age, and we cannot find our way out...”

I recognized him, despite his long white beard; it was the same herdsman of long before. He was followed by a few, mangy goats, which did not even stink, they were so reduced to skin-and-bones. They cropped wastepaper in the rubbish bins.

“That cannot be!” I shouted. “I, too, entered a city, I cannot remember when and since then I have gone on, deeper and deeper into its streets. But how have I managed to arrive where you say, when I was in another city, far far away from Cecilia, and I have not yet left it?”

“The places have mingled,” the goatherd said. “Cecilia is everywhere. Here, once upon a time, there must have been the Meadow of the Low Sage. My goats recognize the grass on the traffic island.”

–Continuous Cities 4 from Invisible Cities by Italo Calvino, 1972

Installation Views
Media © Sweetwater 2025
Media © Sweetwater 2025
Media © Sweetwater 2025
Media © Sweetwater 2025
Media © Sweetwater 2025
Media © Sweetwater 2025
Media © Sweetwater 2025
Media © Sweetwater 2025
Artworks
Jeff Zilm
Anna-Sophie Berger
Anna-Sophie Berger
Benjamin Hirte
Sofia Defino Leiby
Sofia Defino Leiby
Morgaine Schaefer
Constantin Thun
Constantin Thun
Constantin Thun
Constantin Thun
Constantin Thun
Constantin Thun
Constantin Thun

Cecilia

Anna-Sophie Berger, Benjamin Hirte, Sofia Defino Leiby, Constantin Thun, Morgaine Schaefer, Jeff Zilm

March 9, 2019 to April 20, 2019

Kottbusser Damm 7, Berlin, Germany

Jeff Zilm

Jeff Zilm

An Anti-Algorithmic Painting in Memory of Jack Burnham, 2019

Acrylic, black gesso and optical sound on canvas

200 × 260 cm

78 ¾ × 102 ⅜ in

Anna-Sophie Berger

Anna-Sophie Berger

Playproblems 2, 2018

Laser print on paper

60 × 40 cm

23 ⅝ × 15 ¾ in

Anna-Sophie Berger

Anna-Sophie Berger

Playproblems 4, 2018

Laser print on paper

60 × 40 cm

23 ⅝ × 15 ¾ in

Benjamin Hirte

Benjamin Hirte

Not yet titled, 2019

Felt, leather, and terry cloth on stretchers

100 × 100 cm

39 ⅜ × 39 ⅜ in

Sofia Defino Leiby

Sofia Defino Leiby

Jacqueline (Creativeworld I), 2019

Watercolor and pencil on linen

42.5 × 50 cm

16 ¾ × 19 ¾ in

Sofia Defino Leiby

Sofia Defino Leiby

Mont Marte (Creativeworld II), 2019

Watercolor, acrylic, and pigment on linen

40 × 53 cm

15 ¾ × 20 ¾ in

Morgaine Schaefer

Morgaine Schaefer

BWS 3825 (After Rainfall in Munich), 2019

Inkjet print

80 × 60 cm

31 ½ × 23 ⅝ in

Constantin Thun

Constantin Thun

Untitled toolbox (Axel), 2019

Cloth, assorted tools

76 × 51 × 3 cm

30 × 20 × 1 in

Constantin Thun

Constantin Thun

Untitled (clipboard, Delia’s Osiris Gate II, Monument to Sandro Pertini, orario di lavoro sign, shape of gutta, dress for a perfume vial), 2019

150 sheets of transparent foil

29.7 × 21 × 2 cm

11 ¾ × 8 ¼ × ¾ in

Constantin Thun

Constantin Thun

Untitled (Posenenske Revolving Vane, Royal Albert Hall, the object is the place we discuss our views screenshot, Elettricità sign), 2019

150 sheets of transparent foil

29.7 × 21 × 2 cm

11 ¾ × 8 ¼ × ¾ in

Constantin Thun

Constantin Thun

Untitled (reverse bookshelf note, La Casa Del Genio, actress and stage, The Art Of Japanese Joinery, eigene Landkarten note, expectation/reflex architecture), 2019

150 sheets of transparent foil

29.7 × 21 × 2 cm

11 ¾ × 8 ¼ × ¾ in

Constantin Thun

Constantin Thun

Untitled (Asnago Vender facade, Cabin screenshot, marble séparées, spraypaint in Michaelkirchstrasse, Mischief Reef South China Sea, intercom), 2019

150 sheets of transparent foil

29.7 × 21 × 2 cm

11 ¾ × 8 ¼ × ¾ in

Constantin Thun

Constantin Thun

Untitled (Paul Thek Shrine, Victoria Line escalator, miniature glass house, peephole, Leitplanken screenshot), 2019

150 sheets of transparent foil

29.7 × 21 × 2 cm

11 ¾ × 8 ¼ × ¾ in

Constantin Thun

Constantin Thun

Untitled (Modelle screenshot, spraypaint in Michaelkirchstrasse, tiles papers posters note, Le Città Invisibili, Gabriele D’Annunzio letters to Albina), 2019

150 sheets of transparent foil

29.7 × 21 × 2 cm

11 ¾ × 8 ¼ × ¾ in

Cecilia

Anna-Sophie Berger, Benjamin Hirte, Sofia Defino Leiby, Constantin Thun, Morgaine Schaefer, Jeff Zilm

March 9, 2019 to April 20, 2019

Kottbusser Damm 7, Berlin, Germany

Media © Sweetwater 2025

Morgaine Schaefer

BWS 3825 (After Rainfall in Munich), 2019

Inkjet print

80 × 60 cm

31 ½ × 23 ⅝ in

Jeff Zilm

An Anti-Algorithmic Painting in Memory of Jack Burnham, 2019

Acrylic, black gesso and optical sound on canvas

200 × 260 cm

78 ¾ × 102 ⅜ in

Media © Sweetwater 2025

Jeff Zilm

An Anti-Algorithmic Painting in Memory of Jack Burnham, 2019

Acrylic, black gesso and optical sound on canvas

200 × 260 cm

78 ¾ × 102 ⅜ in

Media © Sweetwater 2025
Media © Sweetwater 2025

Constantin Thun

Untitled (clipboard, Delia’s Osiris Gate II, Monument to Sandro Pertini, orario di lavoro sign, shape of gutta, dress for a perfume vial), 2019

150 sheets of transparent foil

29.7 × 21 × 2 cm

11 ¾ × 8 ¼ × ¾ in

Constantin Thun

Untitled (Posenenske Revolving Vane, Royal Albert Hall, the object is the place we discuss our views screenshot, Elettricità sign), 2019

150 sheets of transparent foil

29.7 × 21 × 2 cm

11 ¾ × 8 ¼ × ¾ in

Constantin Thun

Untitled (reverse bookshelf note, La Casa Del Genio, actress and stage, The Art Of Japanese Joinery, eigene Landkarten note, expectation/reflex architecture), 2019

150 sheets of transparent foil

29.7 × 21 × 2 cm

11 ¾ × 8 ¼ × ¾ in

Constantin Thun

Untitled (Asnago Vender facade, Cabin screenshot, marble séparées, spraypaint in Michaelkirchstrasse, Mischief Reef South China Sea, intercom), 2019

150 sheets of transparent foil

29.7 × 21 × 2 cm

11 ¾ × 8 ¼ × ¾ in

Constantin Thun

Untitled (Paul Thek Shrine, Victoria Line escalator, miniature glass house, peephole, Leitplanken screenshot), 2019

150 sheets of transparent foil

29.7 × 21 × 2 cm

11 ¾ × 8 ¼ × ¾ in

Constantin Thun

Untitled (Modelle screenshot, spraypaint in Michaelkirchstrasse, tiles papers posters note, Le Città Invisibili, Gabriele D’Annunzio letters to Albina), 2019

150 sheets of transparent foil

29.7 × 21 × 2 cm

11 ¾ × 8 ¼ × ¾ in

Media © Sweetwater 2025

Constantin Thun

Untitled toolbox (Axel), 2019

Cloth, assorted tools

76 × 51 × 3 cm

30 × 20 × 1 in

Benjamin Hirte

Not yet titled, 2019

Felt, leather, and terry cloth on stretchers

100 × 100 cm

39 ⅜ × 39 ⅜ in

Constantin Thun

Untitled (reverse bookshelf note, La Casa Del Genio, actress and stage, The Art Of Japanese Joinery, eigene Landkarten note, expectation/reflex architecture), 2019

150 sheets of transparent foil

29.7 × 21 × 2 cm

11 ¾ × 8 ¼ × ¾ in

Constantin Thun

Untitled (clipboard, Delia’s Osiris Gate II, Monument to Sandro Pertini, orario di lavoro sign, shape of gutta, dress for a perfume vial), 2019

150 sheets of transparent foil

29.7 × 21 × 2 cm

11 ¾ × 8 ¼ × ¾ in

Constantin Thun

Untitled (Posenenske Revolving Vane, Royal Albert Hall, the object is the place we discuss our views screenshot, Elettricità sign), 2019

150 sheets of transparent foil

29.7 × 21 × 2 cm

11 ¾ × 8 ¼ × ¾ in

Constantin Thun

Untitled (Asnago Vender facade, Cabin screenshot, marble séparées, spraypaint in Michaelkirchstrasse, Mischief Reef South China Sea, intercom), 2019

150 sheets of transparent foil

29.7 × 21 × 2 cm

11 ¾ × 8 ¼ × ¾ in

Constantin Thun

Untitled (Paul Thek Shrine, Victoria Line escalator, miniature glass house, peephole, Leitplanken screenshot), 2019

150 sheets of transparent foil

29.7 × 21 × 2 cm

11 ¾ × 8 ¼ × ¾ in

Constantin Thun

Untitled (Modelle screenshot, spraypaint in Michaelkirchstrasse, tiles papers posters note, Le Città Invisibili, Gabriele D’Annunzio letters to Albina), 2019

150 sheets of transparent foil

29.7 × 21 × 2 cm

11 ¾ × 8 ¼ × ¾ in

Media © Sweetwater 2025

Benjamin Hirte

Not yet titled, 2019

Felt, leather, and terry cloth on stretchers

100 × 100 cm

39 ⅜ × 39 ⅜ in

Anna-Sophie Berger

Playproblems 2, 2018

Laser print on paper

60 × 40 cm

23 ⅝ × 15 ¾ in

Anna-Sophie Berger

Playproblems 4, 2018

Laser print on paper

60 × 40 cm

23 ⅝ × 15 ¾ in

Media © Sweetwater 2025

Benjamin Hirte

Not yet titled, 2019

Felt, leather, and terry cloth on stretchers

100 × 100 cm

39 ⅜ × 39 ⅜ in

Sofia Defino Leiby

Mont Marte (Creativeworld II), 2019

Watercolor, acrylic, and pigment on linen

40 × 53 cm

15 ¾ × 20 ¾ in

Media © Sweetwater 2025

Sofia Defino Leiby

Jacqueline (Creativeworld I), 2019

Watercolor and pencil on linen

42.5 × 50 cm

16 ¾ × 19 ¾ in

Jeff Zilm

An Anti-Algorithmic Painting in Memory of Jack Burnham, 2019

Acrylic, black gesso and optical sound on canvas

200 × 260 cm

78 ¾ × 102 ⅜ in

Sofia Defino Leiby

Mont Marte (Creativeworld II), 2019

Watercolor, acrylic, and pigment on linen

40 × 53 cm

15 ¾ × 20 ¾ in

Artist Biographies

Anna-Sophie Berger (*1989, Vienna) lives and works in New York and Vienna.

Credits
Documentation by graysc.de. Artworks by Anna-Sophie Berger and Benjamin Hirte courtesy of the artists and Layr, Vienna.